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Hi, I'm Sarah Goodyear, and this is the War on Cars.
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What you're about to hear is an excerpt from a Patreon bonus episode in which I talk with
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journalist and author Matthew Rodriguez about cars as social media content studios and all
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the weirdness that entails.
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If you'd like to hear the whole thing, along with a lot of other great bonuses and other
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benefits, you can sign up at Patreon.com slash The War on Cars pod.
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To me, what's interesting is her choosing the car as the place to tape this in a way
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plays into what you're saying because here she had had this life and house and all intertwined
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with this person, where was she able to be herself?
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Where was she able to have her own space and her own identity, her own integrity inside
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of this vehicle and it's like this little world that she sets up as the venue where she's
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telling you this story from and it's something that she has complete control over.
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So I'd like to talk a little bit about the way that we see cars and how this is reflected
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in these videos as a replacement really for the third place that you hear sociologists
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talk about at a coffee shop or your workplace or places where people go are now vanishingly
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rare in much of America and especially since the pandemic and people are using cars for
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that purpose but they're alone when they're doing that.
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And I just want to go back and say not all 50 something episodes are in her car but
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it is very significant that in the very first episode that's where it is because it
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almost gives the viewer the sense that she had to tell you something right now, she couldn't
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wait till she got home and this is the only place where she has extra time or time away
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from other demands to tell you the story.
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So there is a sense of immediacy I think that comes from the confession being in
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a car or starting in a car.
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So I would say immediacy is part of it and then I think traditionally when you're
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in a car or when you're thinking about a car you're like you do something passive
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like oh I'll put on the radio and then what comes on the radio will be my entertainment.
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So this kind of flips the idea on the head that I'm going to create entertainment while
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I'm going to tell this riveting 50 part story while I'm driving from point A to point
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I believe she's around the Atlanta metro area and we know the Atlanta metro area
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is very famous for traffic.
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So this idea that you could turn the hour commute into like two episodes of your
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own podcast or your own TikTok series is really I think flipping the model of oh let
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me just see whatever the DJ has on at the moment.
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Right and it's like we ourselves are broadcasting our private time right that this is a time
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that I think a lot of people as you said used to use to listen to their favorite
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music or to listen to a podcast or the radio or whatever and it was like a private reflective
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time and now it's turning into this broadcast time and I mean it just seems to reflect the
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way that our patterns of being in the world and communicating with other human beings are
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really affected by car infrastructure and car dependence right because for a lot of people
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I mean they do have to spend like two or three hours a day in a car and that time I guess
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you know people have gotten kind of sick of just saying like that time is just going
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to be passive consumption I could I could be acting I could be doing something of
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course part of the problem is that's not very safe to be thinking about all that
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stuff while you're driving right it's not very safe it's interesting I think the road is a
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moment a moment where individual meets collective because you're all collectively on the road
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but you're in this thing that you own and you get to choose the radio station or you get
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to choose what's happening inside of it so it feels like an individual bubble that is hurling
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through time and space alongside individual bubbles so and to go back to something you
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said you had you know talked about or I had talked about the flipping of the model and then
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you brought up turning it into a content moment it's also in a way instead of putting on the
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radio and being at the whim of whatever the DJ has on it's even this more hyper individualist
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thing of like well I'm gonna talk about what I want to talk about now I don't have to
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listen to whatever is happening on C100 or Sirius XM like it's even a further rejection of
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like I'm not going to have someone talk at me I'm going to create my own thing that I get to say
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right and then that content goes from the car bubble into the algorithm bubble right and so
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the people who are consuming it probably many of them in cars are also receiving that in another
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bubble that is a bubble of contained it looks like a community in some ways but it's actually just a
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bunch of individual atoms and these bubbles that we create for ourselves are our own realities
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online as well as in a car. On a personal note or a biographical note I feel like so much of my
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feelings on cars were influenced by the fact that I'm a lifelong New Yorker who was born
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here Lenox Hill Hospital same place where Beyonce's babies were born but I did live in LA for two
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misbegotten years and what was interesting to me psychologically was and I did not buy a car
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while I was there I took the bus to work in LA I took the 10 bus across Melrose respect but I
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would walk on the sidewalk and as opposed to being in New York no one is on the sidewalk in LA
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and you kind of even lose that community aspect or there are far fewer people on buses or
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metros than there are here and I actually feel like it changes how people think about their town
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because they're not commuting with people on the subway there's not that communal moment so when
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they go to and from work they're in their own domains and doing what they want to do so I have
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to say like that's kind of how a lot of my own I even think thinking about this came about was
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being a lifelong New Yorker kind of transplanted to LA for two years. Yeah it is a real shock
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to the system and we love you LA this is not this is not a diss on LA it's just if you are used to
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being with other human beings and enjoying them a lot of the time and even when they're
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irritating you're you have so much to look at there's so much to think about and it's not
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all just you you you it's other people and and that is something that we lose in cars and I think
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it really has affected the way that we see our society at large.