and they're crazy right now, I wish I had kept mine
so I had my car
when we had our first kid, Jeanette
my son
and as you know it had a bench in the back
so it didn't have a seat, it just kind of like had a bench
but I figured out a way
to fasten the baby seat
into that bench in the back
Bungie cords
Bungie cords maybe
I don't know, various straps and things
but the thing was like you said
then opening the door to get to access to the back
we would just open the tailgate
and drop them in from there
the number of looks we used to get at supermarkets
was just dropping the baby into the boot
basically
baby and boot, there should be a little bumper sticker for that
baby and boot
I like the coupes
I mean I think they're great but
my first one was a Capri
lovely beautiful coupes
I had a golf kit, I had two door
Mark II wasn't very good
but I do like it, but then
maybe a golf now, two door or a four door
I'd rather get a four door, maybe because I'm old
and practical but
I don't know, I think
they should come back
whatever they're going to come back, I don't know
but I think they should come back
Do you want to get out of the car to have to get a passenger in the back?
I don't have many friends though, I don't have that problem
Yeah
I'm going to tell you one car
I've been looking out online
I think it's on eBay or somewhere
it's for sale, it's an auto trader
and
Β£20,000
it's a convertible
it's a Ferrari Daytona
Southern Roadcraft replica
What's it based on?
It's a Jaguar, it's based on a Jaguar
It's a Miami Vice car
and the original
the Miami Vice car was built by
I've got his name now
McMurray or whatever
and he
built the original ones for Miami Vice
Southern Roadcraft was an English company
based on the South Coast
and they built six
and it looks like a Daytona
but it's got a Jaguar engine
and chassis
Β£20,000
McMurray, buy one of those
drive around
find an old smashed up Ferrari with an engine
and a gearbox, stick it in
and what have you got?
You've got an engine that won't fit because it's the wrong chassis
There's that
I don't have a problem with that honestly
because I know these guys
they turn BMW Z4s
into like Cobra replicas
or Ferrari 250 replicas
and stuff like that
and okay, from a distance
they look convincing and close up
they're still beautifully done but you can tell
but I'm like most people
99% of people won't be able to tell
and you'll be driving around in London
and something that looks like a million dollars
but doesn't cost it
that's wrong with that
I have no problem with
recreations or something like that
I mean I've always
you know the Porsche 356
but I don't want to spend silly money on a car like that
I use it for other things
so why not, I was
really tempted to buy one of the 356 recreations
that you can get out of Florida that had the aluminium body
there's only $25,000
for a long time and it's like
and it's beautiful and it drives
it's just a better car than the original
it looks just like it except the only thing that you know
it's not the original is it's too clean
and too unblemished
but there's a point
that you just made there is where the original
cars are
they're very expensive, they're very costly
they're very valuable, you have to be
you have to be very precious with them
but if you say I mean I don't know what these kits cost
maybe 20 grand
maybe 20, 25 grand built up
maybe 5 grand for a donor car
you're talking within 30 grand you could have a car
that looks like something like a classic Ferrari or Cobra
and you could just beat up on it
because it's like you know what the heck
it's just a modern BMW right
what about the Conquest of Elegance last weekend
which by the way was a fantastic show
there was that Alpha
P33
remember the red one
did I miss it, where was it
it's
oh I know what you meant it was behind the main stage
behind the main stage
yeah that was a replica wasn't it
it was a very expensive replica though
it was built, it was built from scratch
and I'm going to interview the owner
it was beautiful
650,000 pounds
to be honest
to me that doesn't actually
make sense
it's just spending that sort of money
then you won an original car
the original cars millions
yeah but still why
tell me what you guys think about this
but when I hear cars
going up to 200, 300, 400 whatever
but when the cars get into the millions
and millions and millions to me
that doesn't make sense I mean it's just
as beautiful as the Ferrari 250 GTO
as gorgeous and amazing as iconic
I think it is but when you're saying it's 60 million pounds
I'm like come on guys
that's ridiculous
the question is are people buying the car
because they've always wanted one
or are they buying it because they're thinking
do you know what it's going to go up in value
I'm not going to take it
I'm going to buy a classic car
as an investment
I always buy it you know you can store your money
in a bit never expect it to go up in value
that's just bad bad ideas
unless it's a McLaren F1
but Darren do you think a car
is justified at a price
a car let's be honest at the end of the day
a car four-wheeled engine steering wheel
a car is it justified
at 50 million pounds plus
50 million you see the point
I mean stick it in the museum
or put it in the museum where someone can drive it
I mean if somebody's got the spare cast
for that and they want to be the caretaker
of that car temporarily
then great so it's still so it stays
valid and it stays usable and stuff like
that so that's good but
I mean you have to be
a very special case to buy a car
like that
it's very rich as well
but also then where can you use it
how can you use it
amazing deli haze from
that you know art deco designs and stuff
I would love to have one of those as a daily driver
but could you use it as a daily
driver
the most valuable car in the world
what do you think it is
I thought the 250 was it
like the most which could be a more
smaller that's a very good point that's a very good
answer actually Darren yeah the most valuable car
is a car that means the most to you
yeah I was thinking more about money wise
yeah
you're a better man for me Darren
yeah I had an argument with someone online about this
and because I said it was a
BMW M1
M1
that yeah a BMW M1
the mid-engined
supercar that was painted
by Andy Warhol
that would be the most
expensive
automobile ever because
it's owned by BMW they would never sell it
you know Andy Warhol
but I think the BMW
the BMW art car series
is probably diminished by the fact
that there's now so many of them
because they've painted
they've had major artists paint
their entire range of cars over the years
yeah they have yeah the BMW art cars are fun
they're lovely
you ever see them I saw them in shooting
did you go into that
I think I saw a few of them in the UAE
so I don't know if I've seen them here and there
sort of thing
I spent a day and a half
filming them
wonderful and
these are multi-million pound cars
and what separates the public from the cars
was some yellow tape
well it's just in a museum
you go to a museum and you've got paintings on the wall
it's separating you from them a piece of cord
that's true actually
this was in a
multi-story car park that smelled of urine
oh
it was a multi-story car park
and that's a whole other level of patina we're talking about
that is
that is original patina
actually it just
smells of urine
they can afford to put in a bloody toilet
they just
rented out this massive NCP car park
you know it's short did you know it's the old street
the big car park with the American car wash
I don't know what you're talking about with this
I know I used to live there I don't remember this place
when you go from commercial road
commercial road
you go up on the left hand side is a multi-story car park
on the left
I was probably going too fast
around there to have a notice
you were too busy drifting the other way
you weren't looking up you were looking
sideways
we've had our friend from Kuwait
asking a question about
what we think about
he says folding lights I'm assuming it means pop-up lights
pop-up lights obviously
were essentially
outlawed because of pedestrian safety legislation
this is the reason why modern cars don't have them
but of course those of us that remember pop-up lights
we just love them don't we
you go first Darren
I was going to buy myself
another a new car
not a new but a new car so I gave myself
a couple rules buy myself a
it has to work has to go quick
and it can't be a project at all
so and I was going to buy it
I was looking for a 928
oh
those are great
I ended up buying a BMW
a set up that's a project
so I broke all my rules I was an idiot
but it's still going to be a great project
you know the 928 though
I love the pop-up
but Darren the 928
from what I know
mechanics fear
that car
they run the other direction when they see
that's how you know because they're beautiful
cars they're lovely they were way ahead of their time
the design lives even today
it looks modern
everything I've heard is like it's a nightmare
people run the other way from it
and the lights
but I love them but it's like
I want to deal with vacuum
vacuum light system and stuff like that
it's like where's the leak
you have to submerge the car to find the leak
and it's like
come on
submerge the car yeah like a risky business
I was in December last year
I was rocking one in Dubai
because I had the use of one of those
I was working on the Millimilia
and I had one that belonged to
I think it was the Gargash family
so you know big family they owned the Mercedes dealerships
and stuff so they had lent some of the cars
for us to use and I had the use of that car
and it was just very cool
to be in that car
and drive around
but I have to say I was driving around going
is that noise correct?
should that sound like that?
all the time I was a little bit like
because we were doing lots of distances as well
because it was the Millimilia we were going all around the UAE
but it was very cool to get in it and get out of it
but when I was in it I was kind of
half the time I was like am I going to make it
there was an amazing hot potato
you're saying
I had a free foray
that had pop-up headlights
and some of them were still working
so you were driving around with one headlight up
and one down
you know
it was something like that
or they wouldn't come up and then you'd have to get them
and it was just
I like them as an owner
apart from when they go wrong
I love them
well a mutual friend of ours
and Darren might probably remember
Kevin had the BMW 850 right?
yeah he did
I remember
a few times when I was riding with him
he was like I got to put the headlights on
so pull over and get out and then actually wind them up
I like him as an owner
but as a photographer
I don't like him because it just ruins
the look of the photograph
unless I want it in front of the camera
I like him down
but you know
when the lights are up
you capture it from a low angle
it's tremendous
yeah but you know what sometimes I get people coming towards me
and they stick their headlights
the pop-up headlights come up and I'm figuring out
I'll put them down
it doesn't look right
it doesn't look what I want it
as a photographer I don't like him
but as an owner you can't go wrong with pop-up headlights
I don't know how dangerous are they
you can definitely go wrong with pop-up headlights
because they just don't work half the time
they weren't that dangerous
but the idea of pedestrian legislation
which obstructs the movement of a pedestrian
over the car
can cause further injury
so that's why you don't get bonnet ornaments
because again they can cause an injury
or you do on the Rolls Royce
and this is why they have to collapse in
so they immediately collapse in
they immediately fold
yeah
little Ellie in the 90
has to duck into the bonnet as soon as she sees danger
coming
focus of elegance
has very 1950
must be 1950s, 1960s Ferrari
and it had these
two circular
circles
really at the front
which basically are lights that come up
they swivel out
and that I thought was quite interesting
I didn't see them come up
but they were there and a friend of mine
who knows all about cars he goes he had actually lights
but in the 1950s and 60s
they had some tremendous
I remember Darren will know
some old American cars had incredible
mechanisms for lights
like the lights behind grills and stuff like that
oh yeah
there's some really cool hidden headlights
on some of these old cars
one thing I find interesting about American cars
even though I'm not a big American car fan
is that they had a really interesting
way of doing things on their cars
they're a bit like French cars where they just did things
differently
I didn't wonder why did they do it that way
I mean shifting gears by pressing buttons
on the dashboard it's kind of cool
and having
all these different types of
inventions they came up with and threw it in the car
having lights that are behind the grill
and the grill kind of like
does something so it can see the lights better
or just the covers
there's lots of American cars
that covers over the lights and they just
slide away which is kind of
I think the first pop-up lights were on an American car
I can't remember what it was
but it was in the Fenders wasn't it
I think it would come around like that right
I can't remember
maybe somebody can comment on that
but also am I imagining it
or I think because normal pop-up lights
just sort of pop up like that
but I think even in the Corvette
is it the C4 or the C5
they kind of do a rotational thing don't they
they sort of go round the other way
and then the lights sort of come up
the Corde 810 had amazing
pop-up headlamps
just stunning
yeah I think it is the Corde
I think that's the one I'm thinking of
yeah amazing
absolutely incredible
but you're not frozen are you guys
you're going very quiet
I'm just admiring the Corde
which is the Corde
I was looking at car porn again
I was looking at car porn
car porn
Corde is a C-O-R-D Corde
Corde
yeah I don't see any pop-up lights
on the Corde 810
Corde 810
they're in the wings
they're in the fenders, I think they come around like that
oh you're right, they're in the wings
so they kind of like somehow rotate
it's actually similar to the Ferrari ones
it's the same kind of thing
like the Ferrari one that we saw last week
hidden away, done these in lights
we're interesting
so guys we've run out the clock
and I'll tell you we could probably talk
for the rest of the afternoon
but maybe there should be
we should save some of that for the next time
we do this
but thank you so much
for taking the time today
I hope everybody viewing has enjoyed this
so I hope you guys enjoyed the show
absolutely, thank you
lovely, great, it's always, thank you very much
I feel lighter
the therapy session has worked
the therapy session is working
it always works, always feel better
that's good, I'm glad to hear
we've had great show guys, really enjoyed it
thank you so much for those of you
that have stuck with us through this hour
we hope you enjoyed it, we will be back again
stay tuned, keep it locked to Brown Car Guy
and don't forget to follow these guys
Sai on the Driver's Union
it's at the Driver's Union isn't it
on all the channels
and yours is at Waterloo Classics
for Darren
and of course you can see Darren and myself
Sai you might join us as well next Sunday
no, I'm at the Park Hill
you're somewhere else, okay
we will both be in central London
if you want to come down and say hello it would be great to see you
so until next time, thank you so much guys
thanks for joining us and thanks to you guys
see you gents for joining us today
shout out time guys
thank you so much
hey, if you enjoy my content, why not get involved
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About this episode
Darren and Si engage in a lively discussion about classic cars, electric conversions, and the future of automotive design. They share insights on upcoming events like the Bloomsbury Classic Car Show, debate the merits of electric classic cars versus traditional combustion engines, and express their opinions on the controversial new Ferrari Testarossa. The episode also touches on the nostalgia of pop-up headlights, the challenges of modern car legislation, and the cultural significance of classic models. With a mix of humor and expertise, the hosts provide a comprehensive look at the evolving automotive landscape.
Welcome to another BrownCarGuy Therapy Session - the unfiltered, unscripted podcast where car guys let it all out!
In this episode, Iβm joined by Sy of Drivers Union and Darren Sullivan Vince - founder of Waterloo Classics Car Club and Bloomsbury Classic Car Show - for a lively, passionate, and often hilarious discussion on the state of car culture today.
We ask the big questions:
π― Is the new Ferrari 849 Testarossa a styling flop or misunderstood genius?
π― Have fake engine noises in EVs gone too far?
π― Will the Knight Rider reboot crash harder than KITT ever could?
π― Is the golden era of the car really ending?
From skyrocketing cost of hosting car events, to driving wars in London, to whether itβs right to be converting classics to electric - we dive into it all.
We touch on:
- 50 years of the Lotus Esprit
- Goodbye to the Nissan GT-R, Boxster/Cayman & Civic Type R
- Why a new Audi C concept might actually be hopeful
- Whether classic car culture can survive in the age of digital content
And why the real value in cars today might just be found in nostalgia, passion, and good company.
π£οΈ Join the conversation! Whatβs your take β are we witnessing the burnout of car culture, or is this just the beginning of a new era?
π Donβt forget to like, subscribe, share and comment β this is your garage too.
π§ Also available as audio podcast on all major platforms.
π Watch the previous Therapy Session here: https://youtu.be/xl7QpvxrwyE
π Check out the Bloomsbury Classic Car Show here: https://bloomsburyclassiccarshow.co.uk
π Join the Drivers Union: https://thedriversunion.com/
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