00:03
The Bring a Trailer podcast.
00:06
Hello everybody and welcome back to the
00:08
Bring a Trailer podcast. Alex Porter
00:10
here in the San Francisco headquarters
00:11
of BAT joined in the studio by three
00:14
folks by Zach, Beck, and Cam. Hey gents,
00:18
>> what's going on, Alex?
00:20
>> Today is the much teased and uh I'm very
00:22
excited about it episode where we're
00:24
going to talk about fast. Actually, the
00:26
fast and the furious, right? It gets a
00:28
little confusing, right? Yes. Action/
00:32
unintentional comedy.
00:34
>> Camera's out. He thought we're doing
00:36
>> Oh, totally. Well, okay. So, there is
00:37
another one that's right. That's what
00:39
that's Fast and Furious or something
00:42
>> We'll get to it eventually.
00:43
>> Yeah, we have to talk about the like
00:44
extended universe cuz this launches I
00:47
guess 10 actual Fast and Furious movies,
00:49
but then there's spin-offs, too. So many
00:51
spin-offs that I had no idea were out.
00:54
Apparently, Fast and Feel Love is one.
00:57
Oh my gosh. Don't know about that one.
00:59
>> Wow. This is a G-rated podcast. Okay,
01:01
>> And there's a musical, too, I believe.
01:03
>> You're kidding me.
01:05
>> Go deep on that. I still got to see it.
01:07
It's like a satirical musical in a great
01:11
>> Have any of you seen all of them?
01:14
>> I tapped out at Tokyo Drift.
01:16
>> That's early, isn't it?
01:17
>> That's pretty early.
01:18
>> Yeah, it's very early. And also, it kind
01:20
of comes back. I would argue there's
01:21
some later ones that are more
01:22
>> There's some people who swear by like
01:23
five and seven. I know those are very
01:26
like the even numbers versus the odd
01:29
>> I like when everything feels like a
01:31
tuner car from the early 2000s.
01:33
>> Totally. Oh, I I want to spend maybe the
01:35
largest chunk of time talking about that
01:37
era of cars, like the era of cars in
01:39
2001. But first, what's your history
01:41
with it, Zach? When did you see it
01:42
first? Do you remember?
01:43
>> I don't have a good history with it, but
01:45
I remember it coming out, being obsessed
01:47
with cars, and my parents telling me I'm
01:49
not allowed to see it because it's
01:51
>> You I mean, you were like eight years
01:53
old when this came out. 10. You were 10.
01:55
Okay. You don't remember the first time
01:57
>> I honestly don't remember the first time
01:59
I saw it, but then it became kind of
02:00
like a comfort, you know, Friday night
02:02
after a few beers, just kick on Fast and
02:05
Furious. It was definitely
02:09
sometime around high school because I
02:10
remember being so let down that the only
02:13
Honda Prelude in the entire movie is,
02:15
you know, when they go to the Drags.
02:17
>> Yes. You mean the street?
02:19
>> No, no, no. Hold on. We've got a I've
02:21
got a whole section for race wars.
02:23
>> Yeah. He must have [laughter] 100 grand
02:24
under that under that car. Totally. Uh
02:26
there's one prelude with an AutoZone
02:29
aluminum spoiler that's like [laughter]
02:31
running down the strip that you see for
02:32
like a second and that's the only Honda.
02:34
>> Not even in that early scene where all
02:36
the cars show up for the street race.
02:38
>> It's actually a little light on Civics.
02:40
It's a little light on Hond's in
02:41
>> I mean the ice car.
02:44
>> Oh yeah, that's right. The the three
02:46
>> going under the truck.
02:47
>> That's right. the but the at the races
02:49
themselves it's a little lighter on
02:51
>> sedan and jaw rule had the red integra
02:55
>> oh I guess that's right maybe it is like
02:57
less light than I would think
02:58
>> oh come [laughter] on
03:00
>> oh yeah we're going to talk about all
03:01
that about you back you're a little
03:03
closer to my age did you see this in the
03:06
>> I don't remember seeing in theaters I
03:07
definitely remember watching it in
03:08
friends garage or basement you know on a
03:11
Friday night that sort of thing I was 16
03:13
when this came out it was definitely
03:15
didn't really feel it felt too flat ashy
03:17
and too fancy to like relate to in any
03:20
capacity even though I was driving at
03:22
>> Did you have any interest in tuner cars,
03:24
>> I like the idea, but I didn't have the
03:25
money to do any of this kind of
03:27
modification stuff, which was sort of a
03:28
theme I felt like while watching this
03:30
movie is you wonder like why is it these
03:33
front-wheel drive cars that are never
03:35
going to be good at this, but you
03:37
>> a lot of this comes from the car that
03:39
you could like afford or you were given
03:41
when you were 16, like a hand-me-down.
03:43
And in that situation that you just sort
03:44
of like deal with what you have and
03:46
that's what all four.
03:47
>> That's such [laughter] a great segue to
03:49
>> Oh my gosh. Exactly.
03:51
>> Oh yes. Like the world's worst drag
03:53
>> My dad gets out of prison. [laughter]
03:56
>> Oh my god. There's so much good stuff.
03:58
Uh what about you, Cam? When do you come
03:59
to it? You're the youngest of us here.
04:01
>> Well, yes. I would have been four years
04:03
old when this movie came out. So I know
04:05
that I saw this movie well after I saw
04:08
Too Fast Too Furious.
04:10
>> That was definitely my intro to this.
04:11
for both of you. Was this your first
04:13
though for Zach and Beck? Yeah. Okay.
04:15
>> And you were so inspired by Tyrese
04:16
wanting the [laughter] convertible.
04:17
You're like, I got to see the fruit of
04:20
>> That the purple is a purple Eclipse.
04:24
cars like I want the convertible.
04:26
>> Like in my head like the silver GTR and
04:30
that purple Eclipse are like the iconic
04:32
Fast and the Furious cars for me. But I
04:34
specifically remember driving out to a
04:37
baseball tournament in Las Vegas and
04:39
watching this movie in the back seat
04:41
with my brother. And I know that that
04:43
was the first time I saw this one. I
04:45
don't have a ton of like memories or
04:48
what my takes on it were at that point,
04:50
but yes, I even might have watched
04:51
another one before I had seen this one.
04:53
I kind of caught this one late.
04:55
>> Have you seen a good number of them?
04:58
I also feel like Tokyo Drift is when I
05:01
kind of dropped off and when they
05:03
started to get into the more like
05:04
military tactical let's build custom
05:07
>> once the rock shows up.
05:09
>> Once they are superheroes
05:12
not in the fourth one. Neither
05:13
[laughter] am I. Once once Ludicrous is
05:15
out I'm kind of done,
05:16
>> dude. I think Ludicrous is in all of
05:19
>> He's not in this one, is he? No, he's
05:21
>> He's not in this one. But he becomes a
05:23
staple. He becomes like part of the
05:25
>> it's Ja Rule in this one. Uh, it is Jaw
05:28
Rule. But isn't Ludicrous at the drags
05:32
>> No, that's too fast. Too
05:33
>> furious. I'm mixing up Hector.
05:37
>> Hector pulls up also in a Civic hatch.
05:39
>> with no hood. That is actually one of my
05:42
>> But yeah, that's certainly my my intro.
05:44
>> Okay. But Ludacris did the intro song
05:46
for Too Fast Too Furious, which is still
05:49
>> Yeah. So good. I saw this movie in the
05:51
movie theater. I remember it distinctly.
05:53
I for some reason I always remember this
05:54
being 99 which is when I got my driver's
05:56
license. So but 2001 I was with my buddy
05:59
and later roommate Jared who had a super
06:01
comp dragster which is like a mid-enine
06:04
kind of classic dragster but they don't
06:05
have a wing. They run about 8second
06:06
quarter miles and we were at Pomona the
06:08
famous drag strip and we went to go eat
06:11
in and out and watched this.
06:13
>> What car did you drive to the movie
06:15
theater? He took his tow vehicle like so
06:16
it was like a DY Suburban modified
06:19
Suburban that had had dualies added to
06:21
the back like a late '80s Suburban.
06:22
>> Did your family have the Civic Si at the
06:25
>> No. And in fact, I was a Porsche sports
06:27
car guy like because of my dad and was,
06:30
you know, helping crew helping in air
06:33
quotes, uh, a crew on a dragster with a
06:36
540 cubic inch engine and, you know,
06:38
like thought of these kind of cars as
06:40
lame, but we thought we'd go see it as a
06:41
lark. And I remember we both really
06:43
enjoyed it, Jared and I, and then drove
06:45
back to the drag strip. Really like had
06:47
a really fun time. And I remember the
06:48
parking lot at the movie theater in
06:50
Pomona filled with like lowered Civics
06:52
and Underglow Zach and all that kind of
06:54
>> That was unreal. leaving all the
06:56
frontwheel drive burnouts getting out of
06:58
>> Totally. People like revving up their
07:00
1.6 L as far as they'll go. So, I
07:03
remember this movie really fondly. It is
07:05
definitely still my favorite of all of
07:07
them, although there's some contention
07:08
there. Do you guys Is that Are you all
07:10
in unanimous agreement there?
07:12
>> I think we're going to have to just edit
07:13
that question out. That's That's just an
07:15
objective truth in this world. It is the
07:17
>> Whoa. Interesting.
07:19
>> Oh, you think No. What? I mean, like I I
07:23
was telling you, I I truly didn't have
07:26
much insight into this movie because it
07:28
had been so long since I had watched it.
07:31
And so, watching it with fresh eyes and
07:32
having Too Fast, Too Furious and Tokyo
07:35
Drift much more on the forefront of my
07:36
brain, I just remember enjoying those a
07:39
lot more than I did this one.
07:40
>> Fascinating. This one's a simpler
07:43
plotline. I learned a lot of interesting
07:45
time you rewatch the second one. I
07:49
your enjoyment level watching them
07:51
>> Fair enough. Fair enough.
07:52
>> Maybe that'll be our next movie pod. We
07:53
can do Tokyo Drift or what's the next
07:55
one that comes? Is it
07:57
>> Too fast too furious. Okay. And that's
07:58
the Eclipse convertible.
08:00
>> Okay. What's the one with the actor
08:02
who's not very that Tokyo Drift?
08:04
>> Tokyo Drift is no Paul Walker Wow in
08:07
what he's in a Scion XP in Japan with
08:11
>> And there's like an opening scene where
08:12
they race a Viper or something like
08:14
>> That's the reason why he gets sent to
08:15
Japan. I could see like crashes his car
08:17
into the housing development.
08:19
>> But that's definitely next.
08:21
>> This is my favorite as well, Zach. This
08:22
is I think by far the best one. And I
08:25
hadn't seen it in a very long time. I
08:27
probably 10 years since I had watched it
08:29
again. But I've definitely seen between
08:32
the first time and now a lot of the Fast
08:34
and Furious movies. And going back and
08:36
seeing this felt so refreshing. It feels
08:39
so much more real. It actually feel even
08:41
as as ridiculous as it is in certain
08:43
moments, it felt even more authentic to
08:46
a certain degree because it wasn't cars
08:48
jumping from a building to another
08:50
building in that sort of sense.
08:51
>> They didn't go full Mission Impossible.
08:53
You start to lose it lose the plot a
08:56
>> Well, it's like more like a detective
08:58
cop drama. Like it's got more in common
09:00
with Bullet than you would think. And
09:01
it's not it's not an action franchise
09:03
yet, right? And later it turns into like
09:04
an action movie franchise.
09:06
>> No. And it's been a while since I've
09:08
seen Point Break. But isn't it like
09:10
pretty pretty accurate to the plot of
09:12
>> point? Did you did you guys read? So I
09:15
didn't know this till I did the research
09:16
on this. This idea comes from Paul
09:18
Walker for this movie. Did you guys read
09:20
>> So the director had worked with him on a
09:23
different movie and came to him. I mean
09:24
Paul Walker is this handsome guy by the
09:25
way 27 years old when he made this
09:28
>> That's the parallel I'm drawing for
09:29
Point Breaker. Like handsome blonde guys
09:31
that are police officers surfer type
09:34
>> back. You might have to be on plot
09:35
police again, by the way, because this
09:36
one also has a semic complex plot. I Is
09:39
he the FBI? Is he LAPD? It's unclear. I
09:42
>> Yeah, that's right. [laughter]
09:44
>> The director came to him and said,
09:45
>> spoiling the ending. All right, I'm a
09:48
When he calls for the medevac, very
09:50
deeply emotional scene.
09:52
>> Uh, but the director said, "What's your
09:54
dream movie?" And he said,
09:55
>> "Can we also just shout out? We just
09:56
sold Paul Walker's Ford GT."
09:58
>> Oh, we definitely should. It was really
10:00
good. No stripe car, too. Man, it was
10:02
>> no stripe, staggered wheels, 19s and
10:04
20s, had an exhaust.
10:06
>> Great looking stuff. Um,
10:08
>> he said he wanted to do a mashup of Days
10:10
of Thunder and Donnie Brasco. And that's
10:12
like kind of what this is a little bit.
10:14
So, he must have had a car interest
10:15
already. I didn't do a deep dive onto
10:17
his car background, but he I mean,
10:18
obviously a legit car guy and must have
10:20
been interested in cars already.
10:21
>> Well, I'm Yeah, I'm curious. I didn't do
10:23
too much research of his background
10:24
prior to filming this movie, but I would
10:26
have to imagine like
10:28
>> you're not a big She's All That fan.
10:30
>> I can't say. Yeah,
10:30
>> that's the next movie we're doing.
10:32
>> Totally. Uh, part of the reason why I
10:35
think it's pretty good and simple and
10:36
the police plot line is great and Zach,
10:38
we need to talk about the house where
10:39
the police are set up at some point.
10:41
>> Okay, good. One of the writers, it's got
10:43
three credited writers, but David Ayer
10:45
is one of them who wrote like a bunch of
10:47
awesome movies. Fury, do you ever see
10:48
the movie Fury, the tank movie? That's
10:51
>> SWAT, which I actually really like. I
10:53
wish that had a little more cars in it
10:54
so we could sneak. Yes, totally.
10:56
Training Day. He wrote Training Day. So
10:57
he like wrote a lot of like really cool
11:00
>> there's a movie with Jake Gyllenhaal and
11:02
Michael Pino where they're LAPD partners
11:03
that's really good that's written of
11:05
watch if you ever seen that really good
11:06
movie so really good writer on this
11:09
which I think maybe is part of the
11:10
reason why it's really good the director
11:12
Rob Conn so many great movies to his
11:15
name and also problematic in later days
11:17
but I think it is a pretty well-directed
11:19
movie for the most part
11:20
>> I really liked I could be wrong in my
11:22
timing but I feel like you don't there
11:24
is no talk of him being an undercover
11:26
cop for the first at least half an hour
11:28
of the movie before he gets, you know,
11:30
put in handcuffs, taken to that house,
11:32
and then that's when it's revealed for
11:33
the first time, which I I really enjoy.
11:36
>> Little bit about the movie before we
11:38
dive into scenes and cars and
11:39
everything. Uh $38 million budget, so
11:41
not that expensive. 207 million box
11:43
office, which is a pretty good return,
11:45
but doesn't necessarily make you think
11:46
like, oh, this is going to be I mean, is
11:49
>> I It's kind of amazing for its time,
11:50
>> It is big, but does that make you think
11:52
like this is going to be one of the
11:53
biggest action franchises of the 21st?
11:55
Is this the biggest action franchise of
11:58
>> What did it do at the box office?
12:01
>> Rush Hour 2 did 226 that year.
12:04
>> so maybe I'm wrong.
12:05
>> I think that was pretty big for its time
12:07
and its return on investment is pretty
12:09
>> return investment is very big.
12:10
>> And I think it took a while, right? It
12:12
wasn't obviously the the second movie,
12:14
the third movie, those are not the ones
12:17
that make this into the big giant
12:19
>> No, it's the rock
12:21
buildings era. Yeah. all the the p bits
12:24
and pieces that they need, the right
12:25
number, the right specific people, and
12:27
and they convert them into just the the
12:29
tactical mission style thing.
12:30
>> Okay. Gladiator the year before did uh
12:34
>> Oh, wow. That won best picture. One of
12:36
my favorite movies. Wow. Okay.
12:38
>> Pictureizing the 2001 release of Fast
12:41
>> Yeah. I'm from the Mario billion dollar
12:43
era for franchise IP. Uh this wasn't
12:46
>> I love it. You're like $200 million. Why
12:47
is it so low? I guess my thought was
12:50
like certainly when I watched this I
12:52
wouldn't have thought it would spawn I
12:53
mean it was before there were so many
12:54
sequels to everything you wouldn't know
12:56
that it would spawn
12:57
>> your point like the first car movie that
12:59
was relevant to that generation and
13:03
seemed to be a little more universal
13:05
>> So based on a article from Vibe magazine
13:08
like that was their thing Racer X.
13:09
Didn't you guys read that?
13:11
>> Oh okay. We got to link to it. It's a
13:13
really interesting listen. It's got one
13:15
main character who's racing a Civic that
13:17
he gets down into the 11s. So, it's
13:19
actually pretty fast. It's like a
13:20
hatchback DX Civic, like early '90s
13:22
Civic, and the article specifically
13:25
talks about the multiculturalism of the
13:27
drag racing scene at night on the East
13:29
Coast. And so, like, you can see where
13:30
they get at least the vibes for this
13:32
movie. And that felt pretty different,
13:34
right, from the era of like big buffed
13:36
out white guys in action movies to
13:37
something that looks very different.
13:39
>> I actually kind of like what this movie
13:42
has to say about race. It's like it's
13:44
the moment that Paul Walker is just
13:47
called white boy multiple times and he
13:49
laughs it off. I find that hilarious and
13:51
I think it actually says something about
13:52
young people of that time versus what
13:54
you're referencing before as far as who
13:56
probably the drag racing community was.
13:58
Uh it's a little bifurcated. It's a
14:01
little these people stay over here,
14:02
people stay over there, which wasn't
14:03
necessarily my childhood in that time,
14:06
but I did at least like that it it made
14:08
fun of it to a certain degree and and
14:10
Hector is a great character. I think
14:12
bringing that in I I thought that was a
14:14
pretty honest and pretty decent job at
14:16
>> It definitely looked different than
14:18
>> Pull up his IMDb. He's literally played
14:20
Hector in [laughter] every single role.
14:22
He just is Hector in every single It's
14:25
>> Speaking of race and race wars, the
14:27
unfortunate name for their Drag Race
14:28
thing. That's actually in the article,
14:30
too, but it's called Drag Wars. And I
14:32
don't know if they were more scared
14:33
[laughter] to call it Drag Wars, so they
14:35
changed it to race wars. But that's like
14:37
a real place that the people go in the
14:39
Vibe magazine article to race their
14:42
Honda to be Zach the fastest Honda on
14:44
the east coast because the fastest Honda
14:46
on the west co No this article takes
14:48
place on the east coast but the fastest
14:49
Honda on the west coast was 10 and a
14:51
half seconds. This is 25 years ago.
14:54
>> Yeah, we got to get into the 10-second
14:55
car. I've got some opinions there.
14:57
>> Oh, for sure. For sure. a few other
15:00
people in the cast. I didn't realize how
15:02
Vin Diesel was 33, but uh Michelle
15:04
Rodriguez was 22 when they made this
15:06
movie. They filmed it in October of
15:08
>> 2000. She looks exactly and Jordana
15:11
Brewster was 20 when they made this. So,
15:13
I mean, these people were young.
15:15
>> She can't have a Corona.
15:16
>> No, [laughter] I don't remember if she
15:18
does. She definitely drives that Acura
15:20
in an interesting way. She has an
15:21
interesting driving position.
15:23
>> The Integra sedan. Why don't we dive
15:25
into the actual scenes themselves? One
15:28
of the things I thought we could do to
15:29
start it up is like what are the are
15:31
there cars in your guys' head that are
15:34
iconic in this one separate from we can
15:36
have the Charger Supra debate later, but
15:39
like some of the peripheral cars.
15:41
>> I feel like we got to get into the mods,
15:42
but I wasn't sure if I should stack this
15:45
at the beginning or end, but you got to
15:48
give a huge shout out to Craig Leverman,
15:50
who is the technical adviser. Did you
15:51
read up on him at all?
15:53
>> He's basically the guy that sourced all
15:56
>> and picked them to some extent.
15:57
>> Yes. and he has an amazing YouTube
16:00
channel. I'd give everyone a
16:02
recommendation to go deep on it. I think
16:04
it just is. Say his name again.
16:05
>> Craig Lieberman. And his YouTube's just
16:07
Craig Lieberman. And then he has this
16:09
fantastic I mean, one of the best things
16:10
about the entire film is the fandom all
16:12
around it. There's so many good wikis.
16:14
And yeah, Craig has his own website
16:17
called fastandfuriousfacts.com
16:20
with so much sweet inside baseball of
16:22
how it all came to be. So,
16:24
>> did he do the mods on the cars, too? Did
16:26
he like choose He's clearly a huge car
16:28
enthusiast himself and the Supra was his
16:32
personal car at the time. So, there were
16:35
strict parameters of what they could use
16:37
for the movie and not which is why you
16:40
don't see an NSX. You don't see a 300ZX.
16:43
You were supposed to see a VR4. That's
16:47
what Brian's Supra was originally going
16:50
>> Oh, interesting. Just didn't work. So,
16:51
one of the big parameters they had was
16:53
you had to have four of every car in
16:55
order to film the movie and then they
16:57
had a max budget of 2 million bucks. So,
17:00
that's why some of the higherend stuff
17:01
like NSXs were out.
17:03
>> And then, does that mean they had four
17:06
>> Well, so the R33 Sky
17:08
>> That's my favorite,
17:09
>> man. I I've got more to say about Craig,
17:11
but you can go deep on that R33. Do you
17:12
know the story behind that?
17:13
>> No. The yellow car with the graphic with
17:15
the guy pointing on the side,
17:17
>> which is so out of place. one cuz you're
17:20
like at the time I didn't totally get it
17:22
but watching it today you're like how
17:24
did they get an R3 that's only like a
17:26
5-year-old car at that point or
17:28
something like that.
17:28
>> Yeah. And it's just hilarious seeing it
17:30
roll with that blue Maxima which also
17:31
has an interesting story. So the R33 was
17:35
an early Moto X car.
17:38
press and development car
17:42
>> Give the TLDDR on Moto X for anyone who
17:43
doesn't know about it.
17:44
>> We'll get there. Okay. Yeah. We'll come
17:45
full circle. Don't worry. The owner at
17:47
the time was Shawn Morris, who runs Top
17:50
>> Which is a crazy arc. I didn't realize
17:52
he was quite that old, but he was
17:54
rolling that car around when he was 26.
17:56
They got it that exact yellow car.
17:59
>> Yeah. And I think they were able to get
18:00
away with the not having multiple rule
18:02
because it's in so few scenes. It's
18:05
pretty much only in the beginning.
18:07
>> It's the police spotter scene.
18:08
>> Yeah. So, I mean, that car is like
18:10
insane. and was going to also be one of
18:13
the candidates for Brian's Supra or
18:16
instead of his Eclipse, but they
18:18
couldn't have four of them, so it
18:19
wouldn't work as like a hero car. So,
18:21
that car was imported by Moto X. It's
18:23
filmed. It's in the movie. It goes on to
18:25
be sold in 2012. The owner is trying to
18:30
sell it. And of course, there's a ton of
18:32
PR around this car. So, Cameron's up on
18:34
this. and he's trying to sell it and it
18:38
turns out it doesn't have a VIN
18:41
>> and he's telling the buyer, "No big
18:43
deal. I can get you a Florida title for
18:46
>> This all comes to light. The government
18:48
catches on and they crushed the car.
18:51
They seized it and crushed it cuz it
18:53
wasn't properly imported. Moto X didn't
18:55
properly import that car at the
19:00
>> Now it's a block. That's so it's
19:02
interesting one because I kind of
19:04
thought a lot of the crushing of
19:05
Skylines was a myth. So that's
19:07
interesting that a fairly famous one
19:10
>> it's such a good intersection of the
19:11
Fast and the Furious trivia and bring a
19:14
trailer of his title situations all
19:17
>> I've seen two separate stories on that.
19:19
I've seen a story that he got crushed
19:21
and I've seen one story that it actually
19:23
got sent to Germany and has been on
19:25
display somewhere there but I couldn't
19:27
find any confirmation of that or of the
19:31
What I was reading was the owner at the
19:34
time was basically begging the
19:35
government to let him have it leave the
19:39
country and it doesn't appear that they
19:41
let him do that. If you're out there in
19:42
Germany checking out that R3,
19:44
>> there's no there's no photos of a
19:46
crushed R33 either, right?
19:47
>> Yeah. It's just it's Amelia Airheart
19:49
taking a selfie in front [laughter] of
19:52
>> Totally. And there's a
19:53
>> the Roswell crashes in the background.
19:55
Uh that's so interesting, Cam. I have
19:57
been on the telephone with a person at
19:59
the DOT and I actually asked them one
20:01
time about the Moto X cars and they were
20:03
like, "Oh, we consider those legitimate
20:04
and we don't really crush cars." So
20:06
that's interesting.
20:07
>> So crazy. I mean, also crazy
20:08
intersection with Sean Morris who's a
20:10
big player in importing Skylines now.
20:12
That's like early inception for him. So
20:14
anyway, there's Craig's website has all
20:16
these awesome facts like Johnny TR was
20:19
going to be Peter Tran and Peter Tran
20:22
was gonna roll a Mustang, not not a
20:28
>> And also a lot of motorcycles for those
20:30
guys, too, which is interesting.
20:31
Motorcycles and interesting guns.
20:33
>> So, I don't know. Use 11s or something.
20:37
>> But if Brian's car was a 3000GT, would
20:39
Supras not be what they are today?
20:42
>> That's a good That's a good question.
20:44
>> And all these VR4 owners would be
20:45
validated that we're dealing with so
20:47
much cooler than I have to say.
20:49
>> Those parameters though in the end made
20:51
it so the cars were ones you actually
20:54
>> Right. If it was a bunch of NSXs, then
20:56
you wouldn't necessarily I don't know.
20:58
You It wouldn't be cars you see on.
21:00
>> Well, the the Eclipse in particular,
21:01
there's a couple times. Is it supposed
21:03
to be a GSX or a GST? Cuz there's a
21:06
couple times you can see underneath in
21:07
the back and I'm like, "Oh, that's a
21:08
front-wheel drive car." But so I presume
21:11
it's supposed to be a GSX.
21:12
>> It's like the Evo in Too Fast Too
21:14
Furious is like just a Lancer Rally,
21:16
whatever. It's not an actual Evo. So I
21:19
think that goes back to [clears throat]
21:19
them needing four of them. Totally,
21:21
smashing them, stunt cars, all that. So,
21:25
the blue Maxima also has a super
21:27
interesting story. It's the taller guy
21:29
that I think uses some colorful
21:30
language. Yeah. Yeah. Mesh t-shirt guy.
21:34
>> Multiple. So much.
21:35
>> You got to bring that look back. Alex, I
21:37
can't believe Cam probably could do it.
21:41
>> I don't know. So, he was originally
21:43
supposed to roll an SW20 MR2.
21:45
>> Oh, that's cool.
21:46
>> Which is another iconic tuner car that's
21:50
>> Yeah, I was going to say no MR2s though.
21:51
>> He was too tall for it. And then my
21:54
earlier comments, the next in line for
21:56
that was a fifth gen Prelude, but he was
21:58
also too tall for it.
22:00
>> So the Maxima I think was Craig
22:02
Lieberman's car and he was basically
22:04
like, "All right, he can just cruise
22:05
this around for one scene and we'll get
22:09
>> Probably no one wants to put the actors
22:10
on blast. Like I'm very curious how many
22:12
of them knew how to drive manual
22:14
transmissions. If they had to throw
22:15
automatics in these things,
22:17
>> those are stunt doubles in the drag race
22:18
scene in the beginning. Downshifting.
22:21
>> Isn't the Supra actually an automatic?
22:23
When it went to auction, I believe it
22:24
>> Yeah. Quite a few of them are actually
22:26
automatic cars, just looking at the
22:29
auction results for them, which makes
22:31
sense if you got to put actors in them.
22:33
>> we know our guy Paul Walker knew how to
22:35
drive a stick, but I don't know how many
22:36
of the other people did. And by the way,
22:38
the classic iconic American drag racer
22:40
is always an automatic, right? It's like
22:42
a if you've got a big rear wheel drive
22:43
muscle car, it's always got an automatic
22:46
>> Yeah, totally. So anyway, we can go deep
22:48
on Craig Liverman, but everyone should
22:50
check out his website if you're a fan of
22:51
>> Did he do all of them? Did he do the
22:53
2000 and the Mark III Jetta and all that
22:55
>> He's only up till Tokyo Drift, which is
22:57
part of why I start to lose interest,
22:59
too, because I think he's such a good
23:01
job of sourcing the cars and the
23:03
modifications are just nailed. So once
23:05
he departed, the direction of the films
23:07
also started to change a little. The two
23:09
scenes, the scene where Vin Diesel and
23:10
Paul Walker first meet and all the cars
23:12
kind of come together in that like
23:14
industrial setting. It feels pretty
23:15
authentic to like what a nighttime car
23:17
show would be and then the first drag
23:19
race where it's a street race, not the
23:21
racing itself, which we need to talk
23:22
about separately, which like I don't
23:24
understand the double clutching comment,
23:26
but the vibe there before everyone shows
23:27
up. Both those feel like I was wondering
23:29
if they just invited kids to bring their
23:31
cars out because it just looks like a
23:32
bunch of people getting together with
23:34
>> He's on a bunch of podcasts and stuff.
23:35
talks about it all, but I think that and
23:37
the race wars, they basically put out an
23:39
invite for anyone with a modified car to
23:42
>> And then most of the cars for the movie
23:45
were rented from private owners.
23:48
>> That's also how Mia got that Integra
23:52
>> it was some other woman that lived
23:54
around Los Angeles that like applied to
23:56
have her car used and then the director
23:59
saw a woman was driving it. They're
24:00
like, "Okay, it's believable."
24:04
There's a great montage at the arrival
24:06
of that uh race and whatever though the
24:08
warehouse where they're all sort of
24:09
meeting up at first where they're sort
24:11
of just cutting between just like
24:13
phenomenal moments in time. There's like
24:16
a whole shot just on a guy on a cell
24:18
phone cuz like that's like an amazing
24:20
thing. This this like young guy got he's
24:21
got business to be had sunglasses too.
24:24
So at night [laughter] just
24:27
>> And I also love I love that Paul
24:29
Walker's work truck for his like
24:32
modified parts shop that he works at is
24:35
>> I think arguably the best cast car in
24:39
>> those my second favorite car other than
24:41
the R33 is the Lightning. I've even
24:42
drafted it with Zach and some of our
24:44
things before and we discussed it
24:46
>> Yes. one shot where he comes skidding to
24:49
>> he goes into this part store that I
24:51
could only dream of as a kid that has
24:53
just grey exhaust and [laughter] he's
24:55
picking up an air intake. It's unreal.
24:57
>> The NS branding in that store. The
25:01
Racers Edge garage. NS is everywhere. Do
25:04
we know what the car is in the
25:06
background of that shop?
25:08
>> There's actually a red car in the back.
25:10
It's a Miata NA Speedster concept
25:13
[laughter] out that's parked in the
25:14
back, which I thought was like a wild
25:16
thing to just have that. I don't know
25:17
how that showed up, but maybe it was
25:19
Lieberman put it in there.
25:20
>> And we are led to believe that Paul
25:21
Walker is living in that place
25:24
>> and bringing girls home [laughter] as
25:27
>> Well, I think Paul Walker could bring
25:29
pretty much anywhere.
25:30
>> I meant not him specifically, but to his
25:32
place of work/home.
25:34
>> Only he I feel like could bring a girl
25:36
back. Yeah, I'm living where I work.
25:38
>> Totally. It also looks like his cot is
25:40
like directly adjacent to the front
25:43
counter. It's like one door away.
25:44
>> I also love that he'd pick some girl up
25:46
and she'd be like, "Um, your floorboard
25:49
is gone." [laughter]
25:51
>> Just that diamond plate piece of metal
25:53
that exists for no reason at all.
25:56
>> I also love the car itself is not
25:58
extremely iconic, but the line that it
25:59
breeds is quite iconic. The 355 Spider
26:02
that they pull up next to.
26:05
>> What's retail on that? more than you can
26:08
afford, pal. [laughter]
26:12
>> which is great because now F35 spiders
26:15
and clean Supras are like even to% to
26:19
>> Totally edge to the Supra. I was
26:21
>> I'll probably say this multiple times
26:23
while we're chatting, but
26:25
>> the Supra is supposed to be a 10-second
26:27
car. They just spent all this work
26:28
building this 10-second car, and they're
26:30
even with this F355 Spider.
26:33
>> We should address this. The big thing
26:34
that falls down to me on this one, and
26:37
like this is true of essentially every
26:39
movie about cars and racing is just how
26:42
bad the everyone always has another gear
26:44
they can grab. They can downshift in the
26:46
middle of a drag race that appears to
26:48
take about 60 seconds. You're actively
26:51
changing your tune with your laptop
26:53
while you're driving in a straight line.
26:55
>> I mean, it's it's rough. It's really
26:58
>> manifold pressure, Zach. Manifold
26:59
[laughter] pressure.
27:01
>> Stage two isn't ready yet,
27:02
>> dude. How many stages? Uh, yeah, that's
27:04
always tough. I get it because it's very
27:06
cinematic to shift gears, so you like to
27:08
do that as much as you can. This is a We
27:10
haven't done it yet. We're going to have
27:11
to do Days of Thunder at some point, but
27:14
like a lot of downshifting in Days of
27:16
Thunder, like down into third gear to
27:17
like Oh, sorry. You weren't already
27:19
going as fast as your car could go.
27:21
Interesting. Very interesting. I should
27:23
have looked this up. Granny shifting
27:26
instead of double clutching. Why would
27:27
you double clutch when you're drag? I
27:29
mean, I It doesn't make sense. And
27:31
what's weird about is there's actually
27:32
some phrasing throughout the movie
27:34
that's technically right. And it you
27:36
feel like, oh, they actually got that
27:37
right. And then there's there's a bunch
27:38
of these ones that make you feel like
27:39
there was almost two writers. Three
27:41
writers. Exactly. [laughter] That
27:43
slipped in additional lines that they
27:44
didn't know what to do. They just, you
27:45
know, someone told them to put it in
27:46
because it it feels so weird and
27:49
unfortunate. But yeah, that's
27:50
>> And that's that's during the iconic
27:51
speech. That's the living my life
27:53
quarter mile at a time speech. Tough
27:55
tough stuff. Can we talk Jetta real
27:57
quick? Oh, I'm so glad.
27:58
>> Okay, the two worst car I mean actually
28:00
that same super comp dragster I went out
28:02
to LACR one time with those guys to do a
28:04
test and tune night long gone now was a
28:06
drag strip in the Analopee Valley and
28:08
that was like I presume you can still do
28:10
this at place you come out and pay 20
28:11
bucks or whatever and you can just run
28:12
down the dragstrip and it was right when
28:14
the Civic SI came out here the EM1 and
28:18
there were a bunch of people out there
28:20
running 17.1 seconds you know another
28:22
Civic in the other lane 17.2 two seconds
28:24
and we were out there running eights and
28:26
it like the car looked like a
28:28
>> that was like a myth.
28:29
>> It looked like a spaceship next to all
28:31
>> He ran a 14 n totally stock.
28:34
>> Totally. And it was at night and the
28:35
whole thing. But you know like people
28:37
have made those cars fast obviously in
28:38
the article this is based on the guys
28:40
running 11s low 12elves in a Civic. Like
28:42
it's pretty fast for a front-wheel drive
28:44
car. The two most unrealistic are the
28:47
S2000 which like I can't think of a
28:49
stupider car and the Mark III Jetta. Oh,
28:51
there's way stupider cars S2000, but I
28:54
want to hear your take on that. And the
28:55
Mark III Jetta, it also has a backstory
28:57
of how they got the S2000 to know that.
29:00
>> Okay. The S the S2000 was brand new at
29:01
the time. Like it was a brand new car
29:03
out. And I remember thinking like, man,
29:05
that that's a cool car, but it's like no
29:08
torque, right, is the whole point of an
29:09
S2000. So like using that as your drag
29:12
>> Yeah. But that drag $1,000 under the
29:15
hood though, so it's perfectly fine.
29:16
>> It lasts a full minute. So [laughter]
29:18
the torque doesn't even matter off the
29:21
He's at the top of sixth gear.
29:23
>> Okay. Do you want to venture to guess
29:25
what the other two candidates for
29:26
Jesse's car was before they got to the
29:29
>> One of the interesting things, it's one
29:30
of the few non-Japanese cars. That's one
29:32
of the things I was thinking about. Um,
29:34
>> were they Japanese cars for him?
29:36
>> They were not. He was always intended to
29:38
have a European car.
29:40
>> They're strong picks. They're
29:41
>> frontwheel drive or rear drive.
29:43
>> Your rear drive.
29:44
>> A 911 Turbo would have been
29:48
>> Super close. E36. okay,
29:50
>> was number one. And number two was a
29:53
B4S4, which were both big tuner cars at
29:56
the time and had a ton of aftermarket
29:59
>> but they couldn't find any locally in LA
30:01
that were modified enough. They
30:03
>> they should have come up to slowly about
30:07
[laughter] I know I've seen some clapped
30:09
out. Oh, they were they were clapped out
30:11
when they were new. People were
30:12
>> Oh, man. Those would have both been so
30:14
much stronger. And to your point about
30:16
the S2000, well, Johnny TR, who was
30:18
originally be Pete Tran, was supposed to
30:22
>> which would have been more a drag car.
30:23
>> Totally. Fox Body, do we know Fox Body
30:26
not being in this is tough cuz in 2001,
30:29
we were talking about all this
30:29
downstairs with Randy yesterday. When I
30:31
was in high school in 2001, all the kids
30:32
who wanted to go fast in a straight line
30:34
in my high school all had Fox bodies.
30:36
>> I always thought of a Fox body as a
30:38
great dumb car. Like, good for Vin
30:40
Diesel. It would have been perfect for
30:41
>> Yeah, they must have used one
30:43
eventually. They've gone through every
30:44
interesting car ever in this franchise,
30:46
right? I saw a clip from one the other
30:48
day when I was doing research for this.
30:50
They used a Jensen Interceptor in one of
30:51
these. So, [laughter] like they've
30:53
really gone through almost everything at
30:56
>> Well, and I'm just confused cuz in the
30:57
movie Jesse refers to the Jedha having a
31:00
V6, but it is not a
31:04
>> It's not a VR6. It has a 2 L inline 4,
31:06
but I'm just I'm wondering if that was a
31:09
script error or like just a intentional
31:13
Jesse not knowing what his car is error.
31:16
>> But he's supposed to be like the boy
31:18
>> Ripping sigs. Ripping sigs.
31:20
>> Morning cigarettes, Alex. [laughter]
31:24
>> Remember that scene when he's at he's at
31:25
the Dell PC with all the tuning maps?
31:27
Something about engines just calms me
31:30
>> 100%. So many great scenes like that.
31:32
actually like I watched this twice in I
31:34
love this movie. I actually think it's a
31:37
>> So I'm on board with the S2000 and part
31:40
of how it got there was because Craig
31:42
Lurin was like no American cars. So they
31:45
got the Mustang out and then either one
31:48
of the directors or a producer or
31:50
something had that black S2000 and he
31:54
said at the time villain cars were black
31:55
and they're like oh perfect
31:58
>> and it was compact supercharger.
32:00
>> Then how does the charger fit in? like
32:01
that was always going to be the kind of
32:03
hero car at the end.
32:04
>> I don't know. I think it's all the
32:05
backstory around Dom's dad being a
32:08
criminal and that's like a good, you
32:10
>> some good dramatic acting from Vin about
32:12
>> That's a great moment. It actually is
32:14
good. It's very strong. It's good.
32:15
>> I think that's actually the first I live
32:17
my life quarter mile reference. I think
32:19
that's the moment he make
32:20
>> He gives a different speech at the drag
32:22
race. You're right.
32:22
>> Yep. And then he repeats it or there's
32:25
>> it's your first or your last is the
32:26
first one. You're either Yeah. Right.
32:28
Nobody cares about second place. I
32:30
almost had you that whole thing.
32:31
>> It don't matter if you win by an inch or
32:33
>> That's right. Good. Good call.
32:35
>> I actually do like his RX7.
32:37
>> Yeah, his RX7's cool.
32:38
>> Yeah, very much so.
32:39
>> The Yeah, the red one.
32:40
>> The Charger's sick at the end
32:42
>> with the NOS under the seat. [laughter]
32:44
>> I've also read a story also unconfirmed,
32:47
but I think that red RX7 then went on to
32:50
be turned into the full Veilside for
32:53
>> Which was car. Isn't there veilside
32:56
livery on it in the but it doesn't have
32:59
the full kit? I don't think just maybe
33:00
the front bumper with the lights.
33:02
>> Part of the reason I like it is it's a
33:03
>> like all the other cars movie. It's got
33:06
>> Yeah. [laughter] Yeah.
33:07
>> That's like that's worth 90% of the
33:09
actual modification itself.
33:10
>> It's a little more understated than some
33:12
of the other ones. And when he lifts the
33:13
tan leather seat up, you can see it's
33:14
already cracked and falling apart in
33:17
>> Did [laughter] you guys have any friends
33:18
that had their mod stickers on their
33:22
>> No. And I had friends who hid their
33:24
nitrous, too. Like that was like a real
33:26
thing for street racing.
33:27
>> I didn't know anyone with nitrous.
33:28
>> Oh, yeah. I had one friend who had the
33:30
switch in the ashtray in his Camaro. So,
33:32
you'd pop open the ashtray and the
33:34
switch was in there and the bottles were
33:35
hidden down where the spare was in the
33:37
back. And the other thing people would
33:38
do is because the fittings were often
33:40
anodized, they were blue and red to
33:41
attach them to the carburetor. You'd
33:43
electrical tape over it. So if somebody
33:45
lifted your hood and looked underneath,
33:46
they wouldn't immediately notice like
33:48
kind of stock looking and then two
33:50
braided lines of anodized fittings going
33:52
>> Do you remember the fender decals on
33:56
>> Well, what I remember is people would
33:57
put decals on that weren't because a lot
33:59
of people had Grey, but a lot of people
34:01
did not have turbos.
34:02
>> What does Jesse say at the thing? We
34:04
need to talk about Kronos and me
34:05
familia, but like uh thank god for ball
34:07
bearing turbos. That's like one of my
34:09
favorite lines in the whole thing.
34:10
>> Trying to remember what the other ones
34:11
were. Oh, a lot of con and god, what's
34:14
the other gas pressure strut that
34:19
>> Am engine management. And you meant you
34:21
had $150 cold air intake. Correct. That
34:24
would just give you vapor lock if you
34:26
>> I believe I believe the words standalone
34:28
are used in this movie somewhere.
34:29
Standalone was a hot hot word in the
34:31
late 90s, early 2000.
34:32
>> Was Tokiko one of the big ones?
34:35
>> Is that a strut? Yeah, I think that
34:38
>> Uhhuh. That's right. with the little
34:40
stuffed animal strut. Was anyone rocking
34:43
>> I saw Undergllow. Like I said, I'm
34:45
almost positive when I went to see the
34:46
movie. There were a lot of Lowered
34:47
Civics and stuff at my high school, but
34:49
>> There was a little bit, but I lived in a
34:52
small like pretty policed town that was
34:56
super uptight. And the rumor is always
34:58
like, "Oh, underglow is super illegal."
35:00
>> So, some kids would have it with like a
35:02
switch that if you saw them at night and
35:03
they saw you, they'd flip it on all of a
35:05
sudden, like, "Oh, he's got" and then
35:07
super paranoid, just flip it off. So,
35:09
yeah, my neighbor up the street had
35:10
underglow on his E36 M3.
35:14
>> And I always imagined that they were
35:16
actual neon tubes. Were they actually?
35:18
No way. Now they're LED.
35:21
>> They were tubes. I don't know if it was
35:23
real neon or not, but they were like
35:27
>> Got it. So yeah, there was some sort of
35:28
like fragile probably pretty heavy thing
35:30
that you're putting on the underside of
35:33
>> definitely not doing it on a car you're
35:34
actually street racing.
35:35
>> One of the other ones, right?
35:36
>> But now with the LED strips that I've
35:38
seen on the underside of cars that come
35:39
through BAT occasionally, it's like a
35:41
nothing ad. It's incredibly easy.
35:43
>> The lighting game
35:44
>> really inspiring me to put some under
35:46
LED under light strips. Oh my god, guys.
35:51
>> I can flip it on. The kids have a remote
35:53
and they can change the color and do
35:54
auto lights and everything while we're
35:56
going through West Portal.
35:57
>> The lighting game on modern luxury cars
35:59
is like we go rent these BMWs from six.
36:02
Yeah. And you open the doors and it like
36:03
projects BMW on the ground. I don't even
36:05
think you can option them without that.
36:07
That's just you just get that horse.
36:10
>> That's like not helpful like to actually
36:11
light your way because it just casts
36:14
>> But in this new MDX we bought at night,
36:15
you know, there's lighting everywhere
36:16
and it is interesting to me. I'm just
36:19
like, "Oh god, all the stuff's going to
36:22
Talking about the Supra though, going
36:24
back to that the first initial race
36:26
which you're right goes on for I forget
36:28
I don't know the exact timing but an
36:29
incredible amount of time.
36:30
>> I'm sure somebody's time that [laughter]
36:32
wonderful CGI going through like the
36:34
transmission and through
36:35
>> Oh, I actually kind of like that.
36:36
>> I think it actually ages very well. But
36:39
>> you go through the pistons at one point,
36:41
don't you? go through the Pistons and
36:43
then police radio chatter happens and
36:45
they everyone scrams and they run away
36:47
and then eventually the biker gang
36:49
catches up with Paul Walker and Dom
36:51
>> by the way some great police car
36:53
>> Capri bunch of Chevy Capri those tires
36:56
cannot handle the weight [laughter] of
36:57
that car every time it turns it just has
36:59
to slide then the car gets shot up right
37:02
blue flames explode which supposedly
37:03
blue flame does not happen with NAS but
37:05
whatever uh it explodes for the longest
37:08
time when I didn't know Japanese cars
37:11
I actually assumed that the Supra that
37:15
gets brought to the garage for the glow
37:18
up montage was the car that had been
37:21
shot and exploded cuz I didn't know
37:23
these models very well when I was a
37:24
teenager. And then it wasn't until like
37:26
way later I realized, oh, it's a
37:27
completely different car. And then I
37:29
started realizing when I was watching it
37:30
again, they never explain where he gets
37:34
>> I think they do drop a line that he
37:35
bought at a salvage auction for 10
37:37
>> I don't remember something. Maybe I'm
37:38
making this up. It goes from crappy to
37:40
nice very quickly. [laughter]
37:42
>> Yeah. Yeah. Well, he's like that's what
37:44
the Frankie Munz character, I forget his
37:46
name. Guy who drives the Jedha. He's
37:49
>> "Good, good pull, Jesse." Jesse, he's
37:52
like, "Yeah, you drop 15 grand into this
37:54
thing. It'll be great." But he never I
37:56
don't think says where they get it from.
37:58
But it is pretty accurate in that I'm
37:59
sure back in the day they're pulling
38:01
2JZ's out of old scrapped Supra.
38:04
>> Oh, 2JZ does get a reference in this,
38:05
doesn't it? 2JZ GTE. Yeah, 2JZ. One of
38:10
those iconic things that probably this
38:13
movie had a big hand in. I mean, Zach,
38:15
you mentioned that earlier, like this is
38:16
a big part of why Supras are so iconic,
38:19
don't you think? Is is that the true
38:20
hero car from this movie or is it the
38:22
>> And I had this discussion a lot because
38:23
Robbie had been wanting it's classic
38:26
Robbie Pile like doing things before
38:28
they're cool. He's like, I wanted a
38:29
Supra and then that movie came out and
38:31
then I felt uncool and got one. But
38:32
Supras [laughter] won the last
38:35
production year's 98. So there's already
38:37
a vibrant tuning community around them
38:39
with the known potential of that motor.
38:43
So I do think the film launched it into
38:46
collector status that it is now. But I
38:49
think that motor's renowned enough it
38:52
would still have a super elevated
38:54
>> Yeah. I just forgotten that they say the
38:57
words out loud. The Charger, the Supra,
39:00
and the Eclipse or the three icon like
39:03
hero cars from this movie replicate.
39:05
>> Yeah. Do you think the Supra or the
39:07
Charger is the most iconic?
39:09
>> I think the Charger's still in the
39:11
>> Dom has like a long lineage of Chargers.
39:13
I know like his first [clears throat]
39:14
Charger makes an appearance in one of
39:17
>> I'm not sure if that like original 69
39:20
continues on, but it for sure keeps a
39:22
line. I personally think the Supra is
39:25
the more iconic of the two to the film.
39:28
>> Dom mentions that the Charger does a
39:29
9sec quarter mile at Palmdale. Did you
39:32
ever race at Palmdale?
39:33
>> Wonderful. That's Yeah, I've went there
39:35
many times. I never raced myself, but
39:37
that's where that test and tune
39:38
happened. Uh where I saw a Civic, brand
39:40
new Civic SI running 17 second quarter
39:42
>> Would you have been quote scared to
39:44
death to drive that Charger?
39:46
>> Like not What's crazy is like I mean
39:48
there's guys doing these drag weeks
39:50
where you have to drive your street car
39:51
and do a pass every day at a different
39:53
drag strip. And these are like cars that
39:55
are like they're not that streetable,
39:57
but they're technically street. They're
39:59
running like sixes. Cars have gotten so
40:01
freaking fast. 9 and 10 second was wild.
40:03
But if you have enough money, can't you
40:04
go buy a hyper car that'll run a 10sec
40:07
>> Five grand and buy a Tesla Model S off
40:09
the site and run 10.
40:10
>> I mean, that's insane.
40:11
>> So, a 10-second car, which is another
40:13
thing that it felt so unattainable
40:15
growing up based on this movie. Now,
40:17
right around 2015 or so, has become kind
40:20
>> and it requires no skill in a Tesla. You
40:22
just mash the pedal and go, right? Like
40:24
>> Yeah. Like all that skill in the Supra
40:26
in the movie. [laughter]
40:29
>> The last drag race is a little tough for
40:32
>> Yeah. That's like where it's like going
40:33
to you can see how the action franchise
40:36
that it all launches from.
40:38
>> Well, it bookends, so it's got the same
40:40
slow motion sort of cutaways. It takes
40:43
way too long, but it's it's closing up
40:45
what was them racing together in the
40:46
first one. And I would argue it's
40:47
probably one of the best misdirects is
40:50
when they hop the train, you're like,
40:51
"Oh my gosh, they made it." And I
40:53
remember that time seeing the big rig
40:55
crash into the Charger and just how that
40:58
engaged extremely well. It looks
41:00
phenomenal when you can see the
41:01
reflection of the car like on the wind.
41:03
>> It is pretty sick cuz it's like it's
41:05
real. It's like a practical effect.
41:07
>> Uh it's also I'd forgotten how abruptly
41:09
the whole movie ends too. It's like he
41:11
lets him walk and that's it. Hands the
41:13
keys like vertically. The way Paul
41:14
Walker hands it to him is an interesting
41:16
thing when he hands him the keys to the
41:17
>> Raven mentioned the semis of shooting
41:21
>> For some reason the semis still just
41:24
>> Brutal and the the the villain guy
41:26
getting his arm cut by the wire. And
41:28
that's all practical effects too. It's
41:29
sick. And I I apologize for forgetting
41:31
about the Civic. I actually like the
41:32
Spoon motor Civics. I think they're kind
41:34
>> three black cars with the green
41:35
underglow. Oh, yeah. I mean, those are
41:37
the iconic under the truck.
41:38
>> And they do it twice. I'd forgotten
41:40
>> book ends as well. It happens in the
41:41
first part and the uh and then again in
41:43
the construction zone, right?
41:45
>> Me and everyone else of our generation
41:46
now in every road trip when you get up
41:50
>> Could I could I whenever I see or you
41:53
often then see actually on those big
41:55
rigs is is there's something in the way.
41:56
>> They got [Â __Â ] hanging down.
41:57
>> They got stuff in the way. They've got
41:58
tires. Like, what? How am I supposed to
42:00
do this if you're going to carry around
42:02
>> I just realized we huge missed
42:03
opportunity that we're not drinking
42:04
Coronas while we're recording this.
42:07
>> Can have any beer you want, Cam?
42:08
>> They can't say. We could just say that
42:10
>> Yeah, totally. Well, we usually clink.
42:12
>> Oh, we need to talk about the house. The
42:14
house is so sick. And you know the fate
42:16
of it, Zach. Is there a fade of it still
42:20
>> I mean, they painted it and changed.
42:23
>> Torn down. Completely gone. You
42:25
>> sure? I was just looking at I mean it's
42:27
>> it's actually kind of hard to find
42:28
articles about it but did you dig up
42:30
that one that talks about it?
42:31
>> I I assumed it was a more famous it's
42:34
actually not a super famous architect
42:35
but it's very much done in the style of
42:37
all the mid-century things that we love.
42:38
quote in the movie and what I liked
42:40
about this in the movie they referenced
42:42
that it's clearly odd that they're there
42:44
right like why are they walking into
42:46
>> which house are you talking
42:47
>> the mid-century where the set
42:49
>> oh you guys I'm talking about their
42:55
that's that's the house oh dude it's the
42:58
mid-century with the pool come
43:00
>> built for Jane Mansfield or whatever
43:01
>> Elizabeth Taylor Ed the quote is Ed Fer
43:05
there's a lot of scenes in it when
43:06
they're fighting with the FBI and stuff
43:07
and they're in the galley kitchen and
43:08
it's all curved. Oh man, I love it.
43:11
>> This this is where RIP Jesse runs out.
43:15
>> And that's where that's me familia, too.
43:18
>> So, that's still standing, but I think
43:20
they've changed a little bit of it. It's
43:21
blurred out in Google Street View. It's
43:23
probably a great way to make yourself.
43:25
>> Toto market is also sick, by the way,
43:26
too. There's a lot of good venues. The
43:28
Speed Shop, both the TTO house and the
43:30
Tetto Market, but the
43:32
>> the market's still there. That's where
43:33
you can get the best photo. But if you
43:34
go and try and take a photo in front of
43:36
>> best tuna fish sandwich, Well, I was
43:38
going to say I've got the same order as
43:39
Paul Walker, so I'll [laughter] take
43:41
I'll take pride in that.
43:42
>> But tell what is called the Ridge View
43:44
House, the mid-century now.
43:45
>> The Ridgetop House designed by David
43:48
Fowler. It was uh at the time, I
43:51
believe, owned by a couple studios like
43:52
it had been sort of passed through a few
43:55
>> It's got to be Hollywood Hills, right?
43:56
>> But they Yes. And what I love about it
43:57
though is that they they have to give
44:00
away this throwaway line to explain why
44:01
they're in this gorgeous mid-century
44:03
home. It's around the time where I think
44:05
mid-century is becoming kind of trendy.
44:07
So, it actually feels really cool that
44:08
they're in this space, but it was like a
44:11
year or two after this movie was made.
44:13
It was torn down by the Hyatt Hotel,
44:16
Anthony Pitker, uh replaced it with a
44:19
50,000 square ft home that is currently
44:22
for sale for $175 million and has been
44:26
on the market for $45.
44:29
>> Oh, man. It's such a beautiful home,
44:32
>> It is the new version of it. It is god
44:34
awful. If you look up, you'll find it.
44:35
It's the second largest house in the LA
44:37
area after the Spelling Mansion.
44:39
>> What a shame. But you can see from the
44:40
view why somebody would want to tear
44:41
that down and build a horror show.
44:43
>> A great line when they're having one of
44:44
the arguments. They're all going to have
44:46
>> Oh, dude. I think about this all the
44:47
time. The Ted Lavine line.
44:48
>> Yes. And he orders like, "I want a giant
44:51
decaf cappuccinos."
44:52
>> Yeah. He's like, "Uh, we'll take
44:53
cappuccinos." That's Buffalo Bill.
44:55
That's Ted Lavine. He's actually
44:56
secretly kind of my favorite character.
44:58
The sympathetic father figure of Brian.
45:01
>> Uh, you know, that's puts the puts the
45:03
lotion on its skin and everything.
45:04
That's that same actor. Okay. I actually
45:08
>> My wife and I debated whether that's a
45:10
swimming pool that the little
45:12
>> Oh, it's more of a reflection.
45:13
>> That's what I thought, too. But she's
45:14
like, "No, that's a swing because they
45:15
you walk over that little bridge when
45:17
you're going into the house."
45:18
>> I think maybe you have some hired people
45:20
in that water when you have party.
45:24
Beck knows about mermaids.
45:27
>> Well, I wanted to try to track down if I
45:29
could see who are the current owners of
45:31
the main hero cars from the movie. Oh,
45:34
>> Um, and I was able to find that Jesse's
45:37
car. Dox him. Dox him right now.
45:39
[laughter] Cameron. Well, Jesse's car is
45:42
owned by a dealership in Germany, um,
45:44
called Chrome Cars, who has listed three
45:47
cars with us. Uh, last one was in 2018.
45:50
So, Chrome Cars, if you're out there and
45:52
you're listening and you ever want to
45:54
sell Jesse's car, you know where to
45:56
>> Or send us a pick of it on display.
45:58
>> And lift that hood. Let's see if it's a
46:00
VR6 or if it's a 115 horsepower. their
46:03
feelings, but everybody's got a number
46:04
in their head right now, and I
46:06
[laughter] think it's a lot different
46:08
>> Uh, and then I was able to track down
46:10
the the main Hero Supra, which I believe
46:13
sold for like 550,000.
46:15
>> Sold at Barrett a few years ago.
46:17
>> Yeah, that's owned by someone in the
46:19
Netherlands now. Um, who
46:21
>> are these all going to Europe?
46:25
>> And then some other interesting stuff
46:27
about these cars post movie. Sorry. No,
46:29
let me cut you off to say that Chrome
46:31
Cars also has the 18 Team van right now.
46:36
>> I mean, that's hard to authenticate.
46:38
There's probably so many replicas of
46:40
>> They also, man, it says private
46:42
collection. I should dig into this. But
46:44
have allegedly the Charger from Bullet.
46:47
>> Oh, interesting. Two of those in there.
46:51
>> I mean, one of the things is like think
46:52
about how many I was just talking to
46:54
somebody about Marty McFly Toyota pickup
46:55
trucks today. about how many clones have
46:57
been built of all these cars. Didn't we
46:59
list a clone of the Eclipse at one
47:01
>> Yes, but it was a Talon.
47:03
>> Okay, I'm kind of pro Talon. Okay, what
47:05
lot number was that?
47:06
>> This was lot number 209236.
47:09
>> Okay, pretty recently.
47:11
>> I thought I remembered that. I actually
47:13
um actually like Eagle Talent. My dad
47:15
had a buddy uh Charlie Humphre, God rest
47:20
his soul, who was the Latin teacher at
47:22
the community college in Bridgerest
47:23
where I grew up. Really ariodite guy.
47:25
had a bunch of interesting cars and he
47:27
as a side hustle would order cars for
47:30
the local Ford Lincoln Mercury
47:32
dealership and he ordered himself a
47:35
Talon TSI white with green leather
47:38
interior and when he passed away I only
47:41
had like 20,000 miles on it and he never
47:42
drove it. I was like, "Man, that would
47:43
be a cool car to have." I don't think
47:44
those held up very well, but man, what a
47:48
>> Talons and Eclipse and what was the
47:51
>> Is it a Dodge? What was There was three
47:55
>> Laser. That's right.
47:56
>> Those three cars were in magazines
47:58
constantly. I felt like that was just
48:01
>> like the test bed for everyone.
48:02
>> The first generation. Is it the first
48:04
generation Eclipse? The kind of more
48:06
square one. People modified the hell out
48:08
of that. Was like that was a big street
48:10
racing car when I was a teenager. I
48:12
remember that. A lot of people had
48:14
>> 2 liter turbo, all-wheel drive. Yeah.
48:15
And you get a ton of power.
48:16
>> And people put huge turbos on them. And
48:18
I think the motor was pretty sturdy. In
48:20
the Racer [clears throat] X article in
48:22
Vibe magazine, the the main character is
48:25
driving a Civic, but the initial drag
48:27
race they talk about that's like kind of
48:28
the lead of the story is a Starion and a
48:31
300ZX racing against each other on a
48:33
street, which is interesting. Neither of
48:35
those cars in the movie,
48:37
>> I was going to ask in your Lieberman
48:39
research, did you come across any of the
48:41
George Bars information regarding these
48:45
>> Baris connection to Fast and Furious.
48:47
Well, apparently Baris a tried to
48:50
purchase the Supra from Lieberman after
48:52
the movie which Lieberman would not sell
48:54
it to him and Baris tried to bring
48:56
litigation against him because he
48:58
wouldn't sell it. But Baris got his
49:00
hands on one of the originalclipses
49:03
and did his own modifications and change
49:06
deliveries and apparently people just
49:08
kind of freaked out about it.
49:09
>> This is late in his life, right? I would
49:11
imagine. Yeah. And here's a Craig
49:13
Lieberman Instagram post talking about
49:15
here's what George Bareris did to one of
49:17
the screen used eclipses.
49:18
>> I mean another icon of movie cars and TV
49:22
>> Yeah. I just think really interesting to
49:24
feel like he needs to purchase them and
49:27
>> I wonder if he felt like I kind of own
49:29
TV cars and movie cars, right?
49:31
>> Kind of the way it comes off. Just an
49:33
interesting interesting part of the
49:35
>> Man, this is definitely part of the car
49:37
movie cannon, right? The most iconic car
49:39
movies for sure. If you're going to list
49:42
your top 10, Fast and Furious has to be
49:43
on it with car movies. Even if you don't
49:46
>> it's also age dependent. But if you're
49:48
probably under 50, it's got a rank,
49:52
>> Yeah. I would think even like I mean I
49:56
there Bullet Podcast and
49:59
>> the ven diagram of Fast and Furious
50:01
fans. I don't know that meets,
50:03
>> but this is like more of a car movie
50:04
than Bullet. Even though Bullet is
50:07
>> I know, but like [laughter] this is like
50:08
more car culture, whereas Bullet wasn't
50:11
about car culture. There was definitely
50:13
important characters that were in the
50:14
position of a vehicle.
50:15
>> Actually, the middle of that ven diagram
50:17
is probably Gran Torino.
50:20
>> Which I've actually never seen.
50:21
>> Oh, wow. Also not a car movie.
50:24
>> I am aware of some of the themes of that
50:26
>> Well, I just feel like you'd actually
50:28
>> Well, I like Clint movies quite a bit,
50:30
so I should see it. But yes, I would say
50:31
this is much more a car movie just on
50:34
the whole compared to Bullet.
50:36
>> I wanted to do from two very different
50:38
eras, but there's like so many
50:39
directions we could go from here for our
50:41
next one of these. I'm excited to hear
50:42
the feedback on this one. I said my
50:44
favorite cars. What are your favorites
50:46
from this? Personal favorites.
50:47
>> The green Eclipse is the only one. When
50:49
I see replicas, I just I want to roll
50:52
>> Do you like eclipses in general separate
50:54
from that car? that era I think were
50:56
genuinely pretty cars with the
50:59
asymmetrical hump on the hood so good
51:02
you just assume there's a giant snail
51:03
right there underneath it and you never
51:05
see them they're all
51:06
>> yeah on pretty much so it almost seems
51:09
kind of exotic to roll one
51:10
>> 100% agree with you I think they're very
51:12
good-looking the first gen also has that
51:14
offset hump doesn't
51:15
>> it does but they're more angular
51:17
>> yeah those ones are so like serpentine
51:19
in their like aesthetics
51:21
>> do you foresee eclipses because so many
51:23
have been modified and kind of chopped
51:26
up. Do you see those going up in value?
51:28
>> We've already had a few big results, but
51:30
we only have seen, I don't know, maybe
51:31
five good ones over the years and really
51:35
nice GSX turbos. Bring the money. But
51:38
the problem is there's more good lasers
51:42
>> Talons out there. And
51:44
>> obviously, I'm just going to scoff at
51:45
those. It's not Eclipse. You want the
51:48
>> They were hard to find back in the day.
51:50
Like I had a couple buddies who had
51:52
tuned Eclipses and they would often end
51:54
up with a GST because it was hard to
51:55
find the all-wheel drive ones even when
51:57
they were relatively new cars.
51:58
>> Just an Evo with a prettier body.
52:00
>> Yeah, totally. There were some really
52:02
fast GSX. It's the same motor. It's just
52:03
two wheel drive instead of four-wheel
52:06
>> Yeah, I agree. Eclipse is up there for
52:08
me. Um the red RX7 is up there for me.
52:11
But honestly, I'm going to I'll go
52:13
against the grain. The SVT Lightning, I
52:15
>> Oh, dude. It's number two for me. I love
52:17
I love it. I love it. What about you,
52:19
>> The Charger. Oh,
52:20
>> this contrast with all of it. I think
52:22
it's such a great reveal when this
52:24
entire time you've been looking at tuner
52:26
culture and then he opens up the garage
52:28
and this sort of hidden gem is in there
52:30
and then additionally the moment that
52:32
>> he never quite explained Dom Toretto's
52:34
pivot from muscle cars into like tuner
52:39
what pitched what made him want to
52:40
change although he does drive one of the
52:42
few rear wheel drive cars I guess.
52:44
>> Correct. But is sort of throwing his
52:46
dad's history with that car.
52:48
>> And they're making all their money
52:49
boosting imported parts.
52:51
>> He's not going to show up to a me in a
52:54
>> Well, they're not boosting parts. So,
52:56
they're boosting pan
52:57
>> DVD players, which talking about things
52:59
that have not aged well. [laughter]
53:01
Panasonic DVD players. And at one point,
53:04
there's like one of those VCR TV combos.
53:06
I'm like, that's worth $1 today, even in
53:09
brand new condition.
53:10
>> Okay. the white Civic and the drag race
53:12
at the beginning. Him playing Gran
53:13
Turismo in that for sure.
53:15
>> My head exploded.
53:16
>> Iconic. Iconic. Also a lot of really low
53:20
posture in racing seats that don't look
53:22
to be very well like anchored to the
53:24
cars. There's some harnesses. I'm like
53:27
>> Totally. I'm like, what is that harness
53:29
>> It's not a roll bar. [laughter]
53:31
>> Also, I'll shout out our Moto team. I
53:33
think they are CR250s and they've got to
53:35
be like mid90s models, but that's what
53:37
they're rolling around on. All the dirt
53:38
bikes that they just play fourcylinder
53:42
>> Oh, you mean when the Johnny Trans crew
53:44
>> they're all dirt bikes and it's just all
53:46
highrung four-cylinder noises over the
53:48
dirt bike, single cylinders. Awesome.
53:51
>> But at least it was all real cuz I think
53:52
these movies also turned into CGI kind
53:54
of nightmares, right?
53:56
>> Oh, yeah. I mean, all across the board
53:58
from CGI to fake sound and I mean like
54:01
the to fake people. Fake people. But the
54:05
>> Oh, right. Paul, they had to stitch Paul
54:08
Walker into it, right? Yeah.
54:09
>> Him over his brother. I
54:10
>> I forget what movie it is, but they jump
54:12
the Lykan Roadster like from a hotel to
54:16
hotel in Dubai or something. It's like
54:18
in someone's hotel room.
54:20
>> I think it's the two towers in Malaysia.
54:21
>> Okay. Okay. But yeah, I kind of drop
54:23
off. Oh, I was just confused cuz I think
54:25
you could pay to do that in Dubai.
54:29
>> What about favorite characters? I have
54:30
to say I'm actually partial to Jesse.
54:32
He's my guy. I love Jesse.
54:34
>> I really like Jesse. What appeals to you
54:36
>> Okay, so for me personally, and I'm
54:39
curious if this is true for you guys,
54:40
too, and also for the broader community
54:42
who likes this movie, part of the charm
54:44
of this movie is that it's like an
54:45
accidental comedy, right? Like I'm
54:46
laughing most of the time I'm watching
54:48
this, and Jesse is the character that
54:50
fits the most into that for me. It's
54:52
like, man, who wrote this? It's
54:54
unbelievable. Yeah. Like dad getting out
54:56
of prison, like working on engines calms
54:58
me down. Cigarette or non-cigarette down
55:00
to the nub. cuz he reminds me so much of
55:03
like the kids in autoshop that were kind
55:06
>> I [clears throat] think that's what it's
55:07
supposed to be based on, but similar to
55:09
the granny shifting comment, there's
55:10
like a not very realistic. It's like
55:13
somebody read one article or met one of
55:15
those kids for five minutes and then
55:16
sketched out a character that's like
55:17
adjacent to it. It's like the AI version
55:21
>> And it's a way of giving Dom like a weak
55:23
link without having to like hurt the Dom
55:26
>> Is this guy going to be killed? Like can
55:28
you tell from the beginning? He's like a
55:29
red shirted Starfleet officer.
55:31
>> I believe one of the controversies in
55:33
the later films as well is that both Ben
55:35
Diesel and The Rock have like clauses in
55:37
their contracts. They can't lose a fight
55:41
>> and so they never lose a like and they
55:44
even fight each other at one point but
55:45
then neither of them actually like it.
55:47
It's like a I think it ends in a draw. I
55:48
think they literally like punch each
55:49
other or something like that. Um
55:51
[laughter] but it allows for him to be
55:52
like this like superhuman character and
55:54
that's what I think Jesse provides that
55:55
in a great way. Well, if you look at The
55:57
Rocks MDB page, it looks like he's lost
55:59
a lot of fights [laughter] getting roles
56:03
>> Oh, no. Um, what's the legacy for you
56:06
guys? Is it does it also amusing to you
56:08
>> We're not even done on characters.
56:10
Johnny Tran is insane. Like the
56:12
backstory of this rich Asian guy who's
56:16
rolling around on motorbikes with a babe
56:18
with a machine gun just shooting up
56:21
>> His crazy brother with the like snakes
56:23
skin pants and like he's like the
56:25
trigger man. big time.
56:26
>> But he gets a mean choke slam during the
56:31
>> The slot montage like it's like slow-mo
56:34
and there's like music playing over back
56:36
hand from his father.
56:38
>> That's intense. And it's definitely in
56:40
like Valencia or like Canyon Country
56:42
>> I think that is what really resonated
56:44
with me. Like [laughter]
56:45
you just slapped him when they're just
56:47
actively machine gunning people and
56:49
trying to murder people and the
56:51
implication that's clearly why Dom's
56:52
dad's in prison. [laughter]
56:54
The motor oil torture scene from those
56:56
guys is intense, too. 490 weight or
56:58
whatever it is. That's tough.
57:00
>> And what's I didn't get that plot line.
57:01
Why was he missing? The engines were not
57:03
in the car. What What was the
57:05
insinuation there? That that guy was
57:06
supposed to build them for him, but they
57:08
>> fast enough, right? He wasn't fast
57:10
enough for them for race wars.
57:11
>> No, I think he just he sold off the
57:13
engines because they commanded a premium
57:15
because he was so close to race wars.
57:17
>> Sold him to Hector.
57:18
>> Yes, maybe. Yeah. But honestly, in every
57:22
Fast and Furious movie I've watched,
57:23
there's been one scene that's kind of
57:25
just like made my stomach turn a bit. In
57:27
that one, it's the oil scene. And then
57:29
in Too Fast, Too Furious, they like put
57:31
a rat on some dude and put a bucket over
57:33
him and like heat it up. And I remember
57:34
that scene being like, "That's just too
57:37
much. I don't need that." Um,
57:39
>> Cam is like totally ready for Too Fast
57:41
Too Furious. I think we need to push
57:42
Grand Prix and all the other things that
57:45
we could do. We need to get straight to
57:46
Too Fast Too [laughter] Furious.
57:47
>> Got plenty of time, Alex. [gasps] Zach,
57:49
what about you? Any other important
57:50
thoughts or things you want to share?
57:52
I'm so glad you did the research on the
57:53
guy who built all the cars.
57:54
>> Oh, yeah. Craig Laborman's the man.
57:56
>> Yeah. No [Â __Â ]
57:57
>> I don't know if I have anything else to
57:58
say other than I mean I wish they got an
58:01
NSX in the movie. There's a few more
58:04
cars that would have been awesome to see
58:05
and see if they had a cultural impact. I
58:08
will say like a big part of me does just
58:10
want to move to Los Angeles and roll
58:12
>> It's a good LA movie with
58:14
>> Underglow and my Turbo Coupe. It's like
58:17
the closest I ever got to like trying to
58:18
do pickup street racing. When I was like
58:20
17, 18, 19, we'd go down there a lot,
58:23
but we'd stay at the house of one of my
58:24
dad's buddies who restored antique cars.
58:26
And me and my car buddies would work for
58:28
him over the summer doing a pull string
58:29
on like American underlungs and Model A
58:32
Doozesenbergs. And then at night, we'd
58:34
take whatever our cars were. And at
58:35
least one time that I can remember, this
58:36
was in Pasadena, I'd take the turbo
58:38
coupe out, which was like not a very
58:40
fast car, but like none of these cars
58:42
were actually like that fast compared to
58:44
the cars today. And you'd go out and you
58:45
just, you know, street light to street
58:46
light drag race and you can tell who the
58:48
other kids were who are out in LA at
58:50
night in lowered Hondas and stuff and it
58:53
was really fun. And you know in the
58:55
summertime in LA with the windows down
58:56
it's great just you know it's acting a
58:58
fool in cars as a teenager.
59:00
>> And the one thing I'll add is if we're
59:01
going to draw any sort of parallel to
59:03
Bullet in this movie I do think the use
59:06
of the city that it is being filmed in
59:08
is also very prevalent in Fast and
59:11
Furious in the areas that they're
59:13
racing. I feel like you get a a bit of a
59:16
griier look at LA versus how it is
59:19
portrayed in films nowadays. Um, and I
59:22
think that was purposeful to kind of
59:23
give that underground gritty feel to the
59:25
movie. Um, and so I think that the
59:27
cities they filmed in were were used
59:29
really well and the sets were chosen.
59:31
>> I think Paul Walker and Steve McQueen
59:33
have a lot of overlap too.
59:35
>> Handsome handsome blonde.
59:37
>> I see cool car guys. I think in their
59:39
personal lives, Paul Walker is probably
59:41
a nicer person, but
59:42
>> but both interested in cars in their
59:44
personal lives. Like both really
59:45
important in the car world and car
59:47
culture and can definitely both hold a
59:49
scene without saying much, right? Which
59:50
we talked about in the bullet pod.
59:52
>> They definitely have that like, oh, I
59:56
wish I was as cool as Paul Walker or
59:58
Steven, you know, that kind of like man
00:00
>> Yeah, 100%. One thing this movie does
00:03
really well as opposed to maybe Bullet
00:04
is it it ages so well and it's so
00:06
fast-paced and even though it's got car
00:08
culture just oozing in almost every
00:11
single scene, you don't actually really
00:13
have to be I don't think a car person to
00:15
enjoy watching it. Whereas with Bullet,
00:17
unless you're like you're so jonesing
00:19
for that driving scene that you might be
00:21
really slow and tough to get into. I
00:23
watched this movie as I did with Bullet
00:25
actually with my wife who neither had
00:27
she seen this movie or any Fast and
00:29
Furious movie ever and she was like into
00:31
it. She was enjoying it. She was making
00:33
fun of it half the time. She thought it
00:34
was ridiculous. She thought when she saw
00:36
a racehorse, she just assume like
00:37
[laughter] is this like is this like
00:39
just a different group of douchebags?
00:42
Like I don't understand how this is like
00:43
a thing people would go do. She's also
00:45
not a car person at all. but she totally
00:47
enjoyed this and thought that this was
00:49
just a great watch, which is a really
00:52
reassuring thing to do if you ever have
00:53
a movie that you love and you get an
00:55
opportunity to sit down with a friend
00:57
who's never seen it before and like half
00:58
the time you're looking at the screen,
00:59
half the time you're looking at their
01:01
face like for their reaction and for
01:03
them to actually come out of it positive
01:05
is just like a great feeling as well.
01:07
>> Totally. My wife, the most recent time I
01:09
was playing this, she kind of cidled in
01:11
maybe a quarter of the way into it and
01:13
watched the whole thing kind of
01:15
accidentally. could not get anybody in
01:16
my family to focus on Bullet except for
01:18
the chase scene. So very different. My
01:20
teenage son also really enjoyed this.
01:22
>> Okay. What's the impact the film has
01:24
left on everyone here?
01:26
>> I do have a desire to go watch Too Fast
01:29
Too Furious. [laughter]
01:32
>> I think it had a huge impact on the
01:35
non-car people who are sort of just more
01:37
aware. It's sort of legit.
01:38
>> I meant for you personally.
01:39
>> Me personally. Well, that's what I mean
01:40
though. I feel like it's gotten those
01:43
people for me like I get a sense that
01:45
they sort of know what I'm talking about
01:47
when I'm saying I'm going out for a
01:49
drive or I went out in my alpha in high
01:52
school. I would go drive up down Sunset
01:53
Boulevard and try to find other cars and
01:55
do polls with them and that sort of
01:56
thing. And you could sort of reference
01:58
like other people could have seen this
01:59
thing, get a sense for it and you felt I
02:00
>> Yeah, you know, in fact, you're right.
02:01
It didn't matter if you won by an inch
02:03
or a mile. [laughter]
02:05
>> Didn't matter at all.
02:05
>> I love stoplight drag racing. I still do
02:07
it. I've like you know Beck and I have
02:09
done it before. I've done it before on
02:12
>> Yeah, this is maybe my hot take. This is
02:15
certainly in my top three favorite car
02:18
movies and may it might be my favorite.
02:20
It's either this or Lama are my favorite
02:22
of all time and for very different
02:23
reasons and it just it makes me happy to
02:27
watch it and it makes me appreciate cars
02:29
and car culture even if these aren't
02:31
exactly my cars. I like a lot of them
02:34
but they're not exactly the things that
02:36
I would want. And even if a lot of the
02:37
car talk in it is utterly absurd, but
02:41
that just makes me laugh. I don't know.
02:42
I I really really like it. By the way, I
02:45
really liked F1, too, which a lot of car
02:46
people were upset about, but when you
02:48
make a good movie that's based around
02:50
cars, I'm just kind of predisposed to
02:51
like it, even if it's got a lot of
02:52
inaccuracies in it.
02:54
>> I don't think there's any other movie
02:55
out there that's done what this did as
02:58
far as like profiling
03:01
anything about car culture. There's
03:02
obviously been some racing films, but
03:04
I'm talking like street stuff. I mean,
03:05
even car people can't sit through Lama.
03:07
Like, it's boring for people. I love it
03:09
because it's like a period documentary,
03:10
but that's tough on people. That
03:11
certainly didn't have an impact the way
03:13
>> What about you, Zach? What's the lasting
03:15
>> Well, obviously you look at my garage
03:17
now and [laughter] like that time period
03:18
has left a big influence on me. I think
03:20
I get hit with a huge nostalgia blast
03:23
and I like that it highlights a period
03:27
where we're getting around like testic
03:29
cars and Teslas and all this of
03:32
performance was like more democratic.
03:33
You'd go out and you'd build your car to
03:36
>> It was merit based almost
03:38
>> sort of. It took a little more effort to
03:39
have a fast car and now everything's so
03:43
fast people are almost seeking out
03:45
slower cars that give them more of an
03:46
experience than just outright speed. So
03:48
I think all that's super interesting.
03:49
Then part of me also wants to roll
03:51
around with like 212s and the fiberglass
03:53
trunk setup with the amp off center in
03:56
there and the flip up screen.
03:58
>> PlayStation 2 in the back.
03:59
>> Oh, unreal. I miss all that era. Part of
04:02
the reason I wanted to make sure you
04:03
were on this is my impression, Zach,
04:04
because this hits a sweet spot for you
04:06
in car era, just like car culture era
04:09
and like the cars that were around, what
04:11
people were doing with them. Maybe just
04:12
an era in American culture in general
04:16
that a lot of people are nostalgic for.
04:17
I kind of am like late 90s, early 2000s,
04:19
but there's like almost more innocence
04:21
to almost like this movie is almost
04:23
sweet. I know it's cops and people
04:24
shooting and stuff, but it's almost like
04:25
a sweet movie kind of. Okay, there's not
04:27
a a ton of parallels, but if you take a
04:30
step back, I do see a lot of overlap
04:32
with American graffiti where they both
04:34
take a time and place of car culture and
04:37
car culture in Modesto Central Valley
04:40
for American Graffiti was essential.
04:42
That's why George Lucas made it because
04:44
it was his youth. A car was access to
04:47
everything. It was your life. And same
04:49
with LA. Like there's similar overlap in
04:53
>> Great freaking call. And that's a movie
04:54
that we need to do soon. Have you seen
04:55
that before, Cam? Oh my god. Have you
04:57
>> I have not actually.
04:58
>> Oh my gosh, guys. American graffiti.
05:00
I've rewatched it a couple times in the
05:02
>> I feel like I have. I've been to Mel's
05:05
>> It's a coming of age tale, but the cars
05:07
are almost characters in themselves in
05:08
>> We'll do that one soon, if not next. And
05:10
it's a guarantee that you guys will like
05:12
it. It's really, really good.
05:14
>> Cameron, this hipster, he's already got
05:16
the playlist queued up.
05:17
>> Dude, [laughter] the cars in that are so
05:19
good. All right, I don't want to start
05:20
doing an American graffiti pod. Zack,
05:22
that's a really insightful and I think
05:23
really smart comparison.
05:24
>> Thank you. Yeah, my central valley basic
05:27
>> Hell yeah. I think it was filmed in
05:28
Pedaluma, so that's another Bay Area.
05:30
We're doing very Californiaentric. What
05:31
>> I love it. They're like, "We'll set it
05:33
Modesto, but we're definitely not."
05:35
>> We definitely want to hear from everyone
05:37
out there listening on what other
05:38
movies. We got a couple suggestions. I
05:40
got Mad Mad Mad Mad World as a
05:42
suggestion. I've never seen that one.
05:44
>> Grand Prix, I haven't seen in a million
05:45
years. That's one I want to do. Randy
05:47
saw that in the UK recently and loved
05:48
it. Lama, obviously I want to do. Are
05:50
there any other burning ones for you
05:52
guys? Any other that are top of your
05:53
list? I think American Graffiti should
05:55
be up there on the list.
05:56
>> I would agree with that, especially just
05:57
considering I I'm liking that the films
06:00
have the connection. I think that Zach's
06:02
absolutely right that the Paul Walker
06:03
and the Steve McQueen connection is a
06:05
very strong one. And I think his then
06:08
next leadin to American Graffiti would
06:09
be a great excuse to go that direction.
06:11
It' be nice to try and find what would
06:12
be then that connective tissue over to
06:14
Lama or Grand Prix on this thread.
06:17
>> Yeah, I would say Lemon.
06:18
>> Too fast, too furious, Cam. [laughter]
06:20
Uh, no. I would say Le Man is for sure
06:23
one that I I have had on my list and I
06:25
feel like I need to watch. And
06:27
>> you're going to fall asleep more times
06:29
>> I don't I don't know cuz if it's
06:32
actually centered around cars and
06:33
racing, I think I'll have a bit more
06:34
interest in it than than Bullet had for
06:37
>> Less great clothing in it.
06:39
Unfortunately, it's a lot of people with
06:40
rolled down racing suits. Golf livery
06:43
>> That's great clothing. Honestly,
06:45
>> uh, this was a hoot, boys. Thank you all
06:47
for doing this. Anything you want to say
06:48
before we close out?
06:50
>> Uh, movie was an hour and 40 minutes and
06:53
it didn't even feel that long. So, it
06:57
>> Bring them back.
06:57
>> We all got to go do some celebratory
06:59
neutral bombs in our mom's minivans
07:01
after this. [laughter]
07:03
>> I just want to say chrome cars, you know
07:05
>> Oh, man. Awesome. Well, thank you gents.
07:07
What a pleasure. Thank you all for
07:09
listening. I was serious when I said
07:10
we'd love to hear suggestions from you
07:12
all on what movies you'd like to hear us
07:13
talk about next. It's a treat for us. So
07:16
hopefully you all enjoy listening.
07:17
Anything you have to say on that front,
07:19
any kind of feedback, questions,
07:21
concerns can go to podcastra.com.
07:23
Thanks as always for listening and we'll
07:25
catch you next time.